1989 G67
|
Music use in advertising throughout the 1980s / |
1 |
1989 G73
|
Aspects of isorhythm in the Old Hall manuscript / |
1 |
1989 G731
|
Aspects of temporality and symmetry in classic music / |
1 |
1989 G76
|
A practical application of Hubbard principles in preventing dropouts and teaching effectively in the private music studio / |
1 |
1989 H44
|
A comparison of rock and classical concert promotion / |
1 |
1989 H45
|
An interpretive analysis of four selected works for winds / |
1 |
1989 H67
|
Music in relation to mathematics / |
1 |
1989 J65
|
Aspects of rhythm in the choral music of Igor Stravinsky as analyzed in selected works from his three periods / |
1 |
1989 K56
|
The application of sonata principles in selected works for winds / |
1 |
1989 K64
|
The solo piano works of Ernst Krenek / |
1 |
1989 L35
|
Editing, realizing, and arranging practicum / |
1 |
1989 L351
|
Editing dynamics in Federal period choral music / |
1 |
1989 M34
|
The Viennese piano : its rise and its demise / |
1 |
1989 M35
|
A study of music integration in today's schools / |
1 |
1989 M36
|
Scientific research on the singing voice : an annotated bibliography / |
1 |
1989 M361
|
Resonance in the singing voice : a review of scientific research and a discussion of some implications for teachers of singing / |
1 |
1989 M39
|
Performance considerations in three sonatas by Domenico Scarlatti / |
1 |
1989 M55
|
Music therapy and it's[sic] positive results / |
1 |
1989 M84
|
A comparison of American art song and "Golden Age" popular song, 1920-40 / |
1 |
1989 N48
|
Appreciation of music / |
1 |