1989 R37
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Voicings, preparation, and performance suggestions for Jacob Handl's triple-chorus motet "Tribus miraculis ornatum diem" / |
1 |
1989 S44
|
Physiological aspects of vocal production : some basic principles of voice production / |
1 |
1989 S73
|
Charles Edward Ives : his relationship to other composers, his general composition techniques, and an analaysis[sic] of the second string quartet / |
1 |
1989 S731
|
Macbeth : a comparison of the opera by Giuseppe Verdi with the play by William Shakespeare, and the Italian Risorgimento / |
1 |
1989 S74
|
Organizing procedures involving indeterminacy and imporvisation in compositions for solo double bass / |
1 |
1989 S741
|
Three settings of Psalm 150 by Heinrich Schütz / |
1 |
1989 S742
|
Haazinu : ode for orchestra with double bass obbligato / |
1 |
1989 S743
|
Trio for recorder, double bass, harpsichord ; Eshkolot ; Psalm 150 ; Dreams ; Gematria ; Bakasha / |
1 |
1989 S744
|
Nevel asor ; Rainbow / |
1 |
1989 S745
|
Hariyu ; Yoducha Raiyonai ; Bedouin impressions ; Seven voices / |
1 |
1989 S746
|
Compositions / |
1 |
1989 T45
|
The teachers advantage : a software database system / |
1 |
1989 T46
|
The "Chansons populaires" of Jacques Brel as contemporary art songs / |
1 |
1989 T67
|
The influence of the polychoral style on the music of Dietrich Buxtehude / |
1 |
1989 T671
|
Textual influences on the chansons of André Pevernage / |
1 |
1989 T672
|
Musical style in the Te deum and Jubilate deo of Henry Purcell / |
1 |
1989 T673
|
Projects in editing, continuo realization, and choral arranging / |
1 |
1989 V35
|
Mussorgsky's Songs and dances of death : a performer's analysis / |
1 |
1989 W65
|
Developing a reliability coeficient[sic] for a scoring procedure to measure keyboard skill development / |
1 |
1989 W651
|
Improving teacher effectiveness in piano classes through comprehensive musicianship and learner-centered environments with transfers to subject matters of different fields : a narrative description of teaching experiences / |
1 |