Call Number (LC) | Title | Results |
---|---|---|
N72.T4 .B445 2017 | Being there / | 1 |
N72.T4 B49 2020 | Beyond the uncanny valley : being human in the age of AI / | 1 |
N72.T4 B54 1997 | Art as inquiry : toward new collaborations between art, science, and technology / | 1 |
N72.T4 B76 2016 | Machine art in the Twentieth Century / | 1 |
N72.T4 B76 2016eb | Machine art in the Twentieth Century / | 1 |
N72.T4 C77 2002 | Ctrl [space] : rhetorics of surveillance from Bentham to Big Brother / | 1 |
N72.T4 C83 2014 | The practice of light : a genealogy of visual technologies from prints to pixels / | 1 |
N72.T4 C83 2014eb | The practice of light : a genealogy of visual technologies from prints to pixels / | 1 |
N72.T4 C84 1994 | Culture on the brink : ideologies of technology / | 1 |
N72.T4 D43 2018 | Invisible colors : the arts of the atomic age / | 1 |
N72.T4 D87 2006 | Blur of the otherworldly : contemporary art, technology, and the paranormal / | 1 |
N72.T4 E38 2008 | Educating artists for the future : learning at the intersections of art, science, technology, and culture / | 2 |
N72.T4 E38 2008eb | Educating artists for the future : learning at the intersections of art, science, technology, and culture / | 1 |
N72.T4 E425 1996 | Electronic culture : technology and visual representation / | 1 |
N72.T4 E44 1996 | Electronic culture : technology and visual representation / | 1 |
N72.T4 E54 1996 | Electronic culture : technology and visual representation / | 1 |
N72.T4 E8 1968 | Some more beginnings : an exhibition of submitted works involving technical materials and processes organized by staff and members of Experiments in Art and Technology in collaboration with the Brooklyn Museum and The Museum of Modern Art, New York. | 1 |
N72.T4 E87 2011 | Euphoria & dystopia : the Banff New Media Institute dialogues / | 1 |
N72.T4 E966 2010eb | Exploraciones creativas : prácticas artísticas y culturales de los nuevos medios / | 1 |
N72.T4 ebook |
Voces encendidas : mujeres, arte y tecnología / Nuevos soportes y tecnologías. |
2 |