PR649.B5 E53 2020
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Enacting the Bible in medieval and early modern drama / |
1 |
PR649.B5 P3
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Playwrights, preachers and politicians : a study of four Tudor Old Testament dramas / |
1 |
PR649.C7
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Fictions of credit in the age of Shakespeare / |
1 |
PR649.D53 W4 1988
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To instruct and delight : didactic method in five Tudor dramas / |
1 |
PR649.E6 W5
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Martial and the English epigram from Sir Thomas Wyatt to Ben Jonson / |
1 |
PR649.I46
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Representations of Flemish immigrants on the early modern stage / |
1 |
PR649.I65 B4 1937
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The prosody of the Tudor interlude / |
1 |
PR649.I65 B4 1939
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The prosody of the Tudor interlude / |
1 |
PR649.K55 B3
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The king in Tudor drama / |
1 |
PR649.K55 K564 2021
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KINGSHIP, MADNESS, AND MASCULINITY ON THE EARLY MODERN STAGE. |
1 |
PR649.K55 L67 2013
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The tears of sovereignty : perspectives of power in Renaissance drama / |
2 |
PR649.M37
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Marriage relationships in Tudor political drama |
1 |
PR649.M37 W56 2005
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Marriage relationships in Tudor political drama / |
1 |
PR649.M38 S77 1994
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Court revels, 1485-1559 / |
1 |
PR649 .M7 1590
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The Booke in meeter of Robin Conscience against his father Couetou[sne]sse, his mother N[ewgise and h]is sister Proud Bea[utye] [very necessar]y to be read and marked of all people that will auoide the dangers thereof, which is unto condemnation. |
1 |
PR649.P6
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Drama and the transfer of power in Renaissance England |
1 |
PR649.P6 B4
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Tudor drama and politics : a critical approach to topical meaning / |
1 |
PR649.P6 C38 2003
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Language and politics in the sixteenth-century history play / |
1 |
PR649.P6 T466 2015eb
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Thomas Nashe : Selected Works. |
1 |
PR649.P6 V36 2003
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Strange communion : motherland and masculinity in Tudor plays, pamphlets, and politics / |
1 |