Nicholas Chare
Nicholas Chare is a professor of art history at the Université de Montréal. He received his Bachelor of Arts in English and the history of art from the University of Leeds in 1997, and his Master of Arts in the social history of art from the same institution in 1998. He received his PhD from the University of Leeds in 2005. He has served as an instructor at the University of Melbourne, the University of Leeds, the University of Reading, the University of York, and Goldsmiths, University of London.He is the author of ''Auschwitz and Afterimages: Abjection, Witnessing and Representation'', ''After Francis Bacon: Synaesthesia and Sex in Paint'' and co-editor of ''Representing Auschwitz: At the Margins of Testimony'' (2013) and ''Matters of Testimony : Interpreting the Scrolls of Auschwitz'' (2017).
Chare was a 2007 recipient of the Leverhulme Trust Award recognising his research into paintings by Francis Bacon. Provided by Wikipedia
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Auschwitz and afterimages : abjection, witnessing and representation / by Chare, Nicholas
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After Francis Bacon : synaesthesia and sex in paint / by Chare, Nicholas
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Matters of testimony : interpreting the scrolls of Auschwitz / by Chare, Nicholas, Williams, Dominic (Dominic Paul)
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The Auschwitz Sonderkommando : testimonies, histories, representations / by Chare, Nicholas, Williams, Dominic (Dominic Paul)
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Matters of testimony : interpreting the scrolls of Auschwitz. by Chare, Nicholas, Williams, Dominic (Dominic Paul)
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Animals, plants and afterimages : the art and science of representing extinction /
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Animals, plants and afterimages : the art and science of representing extinction /
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Animals, plants and afterimages : the art and science of representing extinction /
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Testimonies of resistance : representations of the Auschwitz-Birkenau Sonderkommando /
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Abject visions : powers of horror in art and visual culture /
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History and art history : looking past disciplines /
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History and art history : looking past disciplines /
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On the nude : looking anew at the naked body in art /
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Representing Auschwitz : at the margins of testimony /
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Representing Auschwitz : at the margins of testimony /
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Re-reading The monstrous-feminine : art, film, feminism and psychoanalysis /
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Representing Auschwitz : at the margins of testimony /
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Re-reading The monstrous-feminine : art, film, feminism and psychoanalysis /
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Related Subjects
Holocaust, Jewish (1939-1945)
Historiography
Influence
Sonderkommandos
Art and biology
Extinct animals
Extinct animals in art
Extinct plants
Extinct plants in art
Influence (Literary, artistic, etc.)
Moral and ethical aspects
Museum techniques
Abjection in literature
Art
Art and history
Feminist film criticism
Abjection in motion pictures
Atrocities
Criticism and interpretation
History
Horror in art
Nude in art
Nudity
Sex in art
Synesthesia in art
World War, 1939-1945