Search Results - Denson, G. Roger

G. Roger Denson

G. Roger Denson (born 1956) is an American journalist, cultural and art critic, theoretician, novelist, and curator. He was a regular contributor to ''The Huffington Post''. His writings have also appeared in such international publications as ''Art in America'', ''Parkett'', ''Artscribe'', ''Flash Art'', ''[https://www.dukeupress.edu/cultural-politics Cultural Politics]'', ''[https://aaa.org.hk/en/collection/search/library/bt-monthly-art-magazine-bijutsu-techo-all-holdings Bijutsu Techo]'', ''Kunstlerhaus Bethanien'', ''Artbyte'', ''Art Experience'', ''Arts Magazine'', ''Contemporanea'', ''Tema Celeste'', ''M/E/A/N/I/N/G'', ''Trans>Arts, Culture, Media'', and ''Journal of Contemporary Art''.

Denson has written on the criticism of Thomas McEvilley (with republished essays by McEvilley) in ''Capacity: History, the World, and the Self in Contemporary Art and Criticism'', currently issued by Routledge, (originally Gordon & Breach). Denson's monographs and catalogues include ''Dennis Oppenheim'', (Fundacao De Serralves, Portugal); ''Hunter Reynolds: Memento Mori, Memoriter'', (Trinitatiskirche, Cologne); ''Michael Young: Predella of Difference'', (Blum Helman, New York). And in the book by Robert Morris (artist), ''Continuous Project Altered Daily: The Writings of Robert Morris'' (October Books, MIT Press), Denson has contributed to the chapter, “Robert Morris Replies to Roger Denson (Or Is That a Mouse in My Paragon?)”.

In the late 1980s and early 1990s, Denson established a reputation as a nomadic ideologist. Provided by Wikipedia