Homogenic / Emily Mackay.

"In recent years, Björk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015,...

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Bibliographic Details
Main Author: Mackay, Emily (Author)
Format: Book
Language:English
Published: New York, NY : Bloomsbury Academic, 2017.
Series:33 1/3.
Subjects:

MARC

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300 |a viii, 149 pages ;  |c 17 cm. 
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490 1 |a 33 1/3. 
504 |a Includes bibliographical references (pages 143-144) 
505 0 |a Introduction: I'm going hunting -- State of emergency: Björk's crisis -- I want to go on a mountain top: Björk's escape -- The marvellous web: Björk's friends -- Excuse me, but I just have to explode: Björk's noises -- You just didn't know me: Björk's characters -- Home, what's been found: Björk's national anthems -- I dare you to take me on: Björk's loves -- Brand new tomorrow: Björk's images -- Game we're playing is life: Björk's virtual realities. 
520 |a "In recent years, Björk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015, her status as artpop auteur has been secured. The album that made all this possible, though is 1997's Homogenic, a turning point in Björk's career and still among her finest musical achievements. Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Björk, one who would never stop hunting."--Back cover. 
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