Timeless relevance : the Keyboard Magazine columns 1975-1989 / David Burge ; Evon Burge, editor.
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| Main Author: | |
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| Other title: | Keyboard (Cupertino, Calif.) |
| Format: | Book |
| Language: | English |
| Published: |
[United States?] :
Chelsea Books,
2018.
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| Subjects: |
Table of Contents:
- Technic and 20th century music
- Repertoire, part I
- Repertoire, part II
- Repertoire, part III : George Crumb
- Performing the piano music of George Crumb
- George Crumb and I
- Luciano Berio's 'Sequenza IV'
- A look at piano competitions
- Two indeterminate pieces
- Planning 20th century recital programs
- William Albright
- Aaron Copland's 'Piano variations'
- Curtis Curtis-Smith's 'Rhapsodies'
- Recital programming revisited
- Pieces for piano and tape
- What to listen for
- Untying rhythmic knots
- Renotation
- "How do I know if it's any good?"
- Five new pieces
- New pieces, part II
- Renotation revisited
- Memorizing
- Luigi Dallapiccola
- Karlheinz Stockhausen
- Getting your works published
- Charles Eakin's 'Frames'
- Some reflections
- Bartók's 'Piano sonata'
- Playing inside the piano
- Scandinavian composers
- Oriental composers
- Composition contest winner
- Recollections of a tour
- Doors and mirrors
- Stravinsky's 'Piano sonata'
- 'Nocturne 1974' and 'Passagio'
- Literature for the younger student
- Preparing for college teaching
- Competition winner Bradford Gowen
- Two outstanding Hungarian pieces
- Fantasia on some remarks by Johannesen
- Best pieces of the '70s
- Composer index [1976-1979]
- New waltzes
- Ernst Krenek
- Frank Martin's 'Eight preludes'
- Louis Ouzer's contemporary musicians in photographs
- Webern's 'Variations'
- Thinking about music
- Barbara Kolb's 'Solitaire' and 'Appello'
- Chamber music and 'Kontakte'
- The scope of piano music
- Piano music of Roger Sessions
- Aaron Copland : three piano masterpieces
- Rzewski's 'The people united'
- International American music competitions
- An exegesis of Stockhausen's 'Klavierstück X'
- Albright's 'Five chromatic dances'
- Persichetti's 'Fourth sonata'
- Persichetti's 'Eleventh sonata'
- Interpreting Schoenberg
- Schoenberg's Opus 11, No. 3.
- Schoenberg's Opus 23 and Opus 25
- American music competition
- Three recent pieces
- Theory and performance
- Boulez's 'Second sonata'
- Theater pieces of the '60s
- Manuel de Falla's 'Fantasia baetica'
- Preparing audition tapes
- Two new pieces
- The perception of the past
- Leon Kirchner's 'Sonata'
- Notating emotion
- Essential twentieth-century repertoire
- Akira Miyoshi's 'Chaînes'
- Realities of the music world
- Some easy pieces
- Bartók's 'Improvisations'
- Ben Weber's 'Fantasia'
- The piano music of Charles Griffes
- Sets of short pieces
- Dallapiccola's 'Quaderno musicale'
- George Rochberg's 'Twelve bagatelles'
- Isang Yun's 'Five pieces'
- George Crumb's 'Five pieces'
- Analysis and emotion
- George Perle's 'Six études'
- The value of a D.M.A.
- George Crumb's 'Gnomic variations'
- Composer index [1980-1983]
- Olivier Messaien's 'Vignt regards sur l'Enfant-Jésus'
- Charles Ruggles' 'Evocations'
- How to learn a difficult piece
- Three recent piano sonatas
- The Third International American Music Competition
- Piano music in the twentieth century, part I : Paris
- The sources of Debussy's inspiration
- Harmonic daring and visionary episodes in Debussy's piano music
- Striking harmonic juxtapositions in Debussy's 'Reflets dans l'eau'
- Evocative titles and performance directions in Debussy
- Debussy's 'Préludes', book I
- Debussy's 'Préludes', book II
- Exploring the virtuosic requirements of Debussy's études
- Debussy and Arnold Schoenberg : a study in contrasts
- Schoenberg : from Romanticism to atonality
- Schoenberg's six little piano pieces, Opus 19
- The early years of Charles Ives
- Charles Ives' 'First sonata'
- Unifying elements in Ives' piano sonatas
- Skeletal motifs in the 'Emerson' movement of Ives' 'Concord sonata'
- Ravel's 'Miroirs'
- Maurice Ravel's 'Gaspard de la nuit'
- The piano sonatas of Alexander Scriabin
- Scriabin sonatas, part II
- Sergei Rachmaninoff : romantic and reactionary
- Fertile years for piano composition : 1900 to 1920
- Composers between the Wars
- Bartók's marriage of piano and folk idioms
- Bartók's transformation of folksongs
- Bartók's 'Three studies'
- Bartók's 'Sonata for piano'
- More of Bartók's 'Sonata'
- Stravinsky's solo piano works
- Schoenberg's stroke of genius : the twelve-tone system
- Arnold Schoenberg's twelve-tone prototypes
- Rejecting drama : French music in the 1920s
- Prokofiev and the Russian Revolution
- Prokofiev and Stalin
- Henry Cowell
- In the footsteps of Henry Cowell
- The postwar avant-garde
- Stockhausen's 'Klavierstücke'
- Stockhausen's 'Klavierstücke' revisited
- The piano music of Pierre Boulez
- Pierre Boulez's 'Third sonata'
- Berio's 'Sequenza IV'
- Berio's 'Sequenza IV', part II
- Fossils, white wigs, and classical piano.