Reception of Diana Krall, unique jazz phenomenon / Zuzana Ben Lassoued-Balazsházyová
"Reception of Diana Krall, Unique Jazz Phenomenon tracks the development of Diana Krall's piano and vocal interpretation from early to advanced development. It analyzes her music compared to the major jazz pianists and vocalists and traces her European roots combined with North American in...
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Berlin :
Peter Lang,
[2018]
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| Subjects: |
MARC
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| 050 | 4 | |a ML420.K886 |b B46 2018 | |
| 100 | 1 | |a Ben Lassoued-Balazsházyová, Zuzana, |e author. |0 http://id.loc.gov/authorities/names/no2019003685. | |
| 245 | 1 | 0 | |a Reception of Diana Krall, unique jazz phenomenon / |c Zuzana Ben Lassoued-Balazsházyová |
| 264 | 1 | |a Berlin : |b Peter Lang, |c [2018] | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 189 pages : |b illustrations (some color), music ; |c 21 cm. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a unmediated |b n |2 rdamedia. | ||
| 338 | |a volume |b nc |2 rdacarrier. | ||
| 504 | |a Includes bibliographical references (pages 179-189) | ||
| 505 | 0 | 0 | |g 1. |t New art -- |g 1.1. |t Perception and reception of new art -- |g 1.2. |t Sociological reasons for complete understanding of music -- |g 1.3. |t Aesthetical, philosophical and musical factors leading to complete understanding of music -- |g 1.4. |t Social and cultural aspects -- |g 1.5. |t Marketing reason of complete (mis) understanding of music -- |g 1.6. |t Current situation of the issues -- |g 2. |t Life -- |g 2.1. |t Roots: Grandparents and parents, connections to Slovakia -- |g 2.2. |t Childhood: Personality and interests, connections to Canada -- |g 2.3. |t Education: High school in Canada, Berklee College of Music in Boston, Los Angeles education and New York opportunities -- |g 2.3.1. |t High school in Canada -- |g 2.3.2. |t Berklee College of Music in Boston -- |g 2.3.3. |t Los Angeles education and New York opportunities -- |g 2.4. |t Family: Husband, children and sister -- |g 3. |t Music -- |g 3.1. |t Early music: music developed by ear, old records, rejection in a choir, high school band, gigs and radio -- |g 3.2. |t Developed music: first success, playing and touring with other musicians -- |g 3.2.1. |t Awards -- |g 3.3. |t Diana's piano performances compared to jazz pianists -- analyses and transcriptions -- |g 3.4. |t Diana's singing compared to jazz vocalists -- |g 3.5. |t Improvisation, composition, piano and vocal techniques of Diana Krall -- |g 3.6. |t "Fly Me to the Moon" in an interpretation of Diana Krall, Frank Sinatra and Nat ̀King' Cole -- |g 3.6.1. |t Analysis of Fly Me to the Moon -- |g 3.6.2. |t Differences in sound, style and rhythmic phrasing, keys, orchestration and arrangements, approaches to the time signature, forms, chord progressions, lyrics, and vocal technique -- |g 3.6.2.1. |t Sound -- |g 3.6.2.2. |t Style and rhythmic phrasing -- |g 3.6.2.3. |t Three different keys -- |g 3.6.2.4. |t Orchestrations and arrangements -- |g 3.6.2.5. |t Approaches to the time signature -- |g 3.6.2.6. |t Three different forms -- |g 3.6.2.7. |t Chord progressions -- |g 3.6.2.8. |t Lyrics -- |g 3.6.2.9. |t Vocal technique -- |g 3.6.3. |t Evaluation -- |g 3.6.4. |t Significant recordings from 1954 -- 1970. 30 Years Gap (1970 -- 2000) -- |g 13.7. |t Music beyond music sheets -- |g 3.8. |t Sexuality, racism and gender in jazz -- |g 3.8.1. |t Sexuality -- |g 3.8.2. |t Racism -- |g 3.8.3. |t Gender in jazz -- |g 3.9. |t Management, marketing and mafia -- |g 3.9.1. |t Management -- |g 3.9.2. |t Marketing -- |g 3.9.3. |t Mafia -- |g 3.10. |t New approach of Diana Krall to music, example of the sociological and aesthetical analysis -- |g 3.11. |t Performance observation -- |g 4. |t Conclusion -- |g 4.1. |t Diana Krall's Discography -- |g 4.2. |t Diana Krall's Filmography -- |g 4.3. |t Diana Krall's Music Videos. |
| 520 | |a "Reception of Diana Krall, Unique Jazz Phenomenon tracks the development of Diana Krall's piano and vocal interpretation from early to advanced development. It analyzes her music compared to the major jazz pianists and vocalists and traces her European roots combined with North American influence in a multicultural world. Musicality, aesthetics, and original interpretation are defined factors for the communication between the listener and the performer and the main characteristics of Diana Krall's interpretation. Described are also influences of social media, marketing and the position of the woman in this society"--Back cover. | ||
| 600 | 1 | 0 | |a Krall, Diana |x Criticism and interpretation. |
| 650 | 0 | |a Women jazz musicians |z Canada |v Biography. | |
| 600 | 1 | 7 | |a Krall, Diana. |2 fast |0 (OCoLC)fst00392654. |
| 650 | 7 | |a Women jazz musicians. |2 fast |0 (OCoLC)fst01178069. | |
| 651 | 7 | |a Canada. |2 fast |0 (OCoLC)fst01204310. | |
| 655 | 7 | |a Biography. |2 fast |0 (OCoLC)fst01423686. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
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| 907 | |a .b102338954 |b 04-03-19 |c 11-16-18 | ||
| 944 | |a MARS - RDA ENRICHED | ||
| 907 | |a .b102338954 |b 03-04-19 |c 11-16-18 | ||
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Boulder Campus |c Music |d Music Library - Stacks |e ML420.K886 B46 2018 |h Library of Congress classification |i book |m U183074063119 |n 1 |