Cinephilia [electronic resource] : movies, love and memory / edited by Marijke de Valck and Malte Hagener.
Documents the latest generation of cinephiles and their use of new technologies.
Saved in:
| Online Access: |
Full Text (via JSTOR) |
|---|---|
| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
©2005.
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| Series: | Film culture in transition.
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Cinephilia |h [electronic resource] : |b movies, love and memory / |c edited by Marijke de Valck and Malte Hagener. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c ©2005. | ||
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 490 | 1 | |a Film culture in transition. | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | 0 | |g I. |t The |t Ramifications of Cinephilia: Theory and History. |t Cinephilia or the Uses of Disenchantment -- |t Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci's The Dreamers -- |t Mass Memories of Movies: Cinephilia as Norm and Narrative in Blockbuster Culture -- |t Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill -- |g II. |t Technologies of Cinephilia: Production and Consumption. |t Remastering Hong Kong Cinema -- |t Drowning in Popcorn at the International Film Festival Rotterdam?: The Festival as a Multiplex of Cinephilia -- |t Ravenous Cinephiles: Cinephilia, Internet, and Online Film Communities -- |t Re-disciplining the Audience: Godard's Rube-Carabinier --The |t Original Is Always Lost: Film History, Copyright Industries and the Problem of Reconstruction -- |g III. |t Techniques of Cinephilia: Bootlegging and Sampling.The |t Future of Anachronism: Todd Haynes and the Magnificent Andersons -- |t Conceptual Cinephilia: On Jon Routson's Bootlegs -- |t Playing the Waves: The Name of the Game is Dogme95 --The |t Parenthesis and the Standard: On a Film by Morgan Fisher --The |t Secret Passion of the Cinephile: Peter Greenaway's A Zed and Two Noughts Meets Adriaan Ditvoorst's De Witte Waan. |
| 506 | 0 | |f Unrestricted online access |2 star. | |
| 520 | |a Documents the latest generation of cinephiles and their use of new technologies. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |x Social aspects. |0 http://id.loc.gov/authorities/subjects/sh85088108. | |
| 650 | 0 | |a Motion pictures |x History. |0 http://id.loc.gov/authorities/subjects/sh87002438. | |
| 650 | 0 | |a Motion picture audiences. |0 http://id.loc.gov/authorities/subjects/sh85088029. | |
| 650 | 7 | |a Motion picture audiences. |2 fast |0 (OCoLC)fst01027116. | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285. | |
| 650 | 7 | |a Motion pictures |x Social aspects. |2 fast |0 (OCoLC)fst01027384. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628. | |
| 655 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01726252. | |
| 700 | 1 | |a Valck, Marijke de. |0 http://id.loc.gov/authorities/names/n2005074127 |1 http://isni.org/isni/0000000035562864. | |
| 700 | 1 | |a Hagener, Malte, |d 1971- |0 http://id.loc.gov/authorities/names/nb99150700 |1 http://isni.org/isni/0000000110600171. | |
| 776 | 0 | 8 | |i Print version: |t Cinephilia. |d Amsterdam : Amsterdam University Press, ©2005 |w (DLC) 2005458732. |
| 830 | 0 | |a Film culture in transition. |0 http://id.loc.gov/authorities/names/n94045741. | |
| 856 | 4 | 0 | |u http://www.jstor.org/stable/10.2307/j.ctt45kd32 |z Full Text (via JSTOR) |
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