Biennials, triennials, and Documenta : the exhibitions that created contemporary art / Charles Green and Anthony Gardner.
"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--
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Language: | English |
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Chicester, West Sussex ; Malden, MA :
John Wiley & Sons Ltd.,
2016.
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Edition: | 1. |
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100 | 1 | |a Green, Charles, |d 1953- |e author. | |
245 | 1 | 0 | |a Biennials, triennials, and Documenta : |b the exhibitions that created contemporary art / |c Charles Green and Anthony Gardner. |
250 | |a 1. | ||
264 | 1 | |a Chicester, West Sussex ; |a Malden, MA : |b John Wiley & Sons Ltd., |c 2016. | |
300 | |a 1 online resource | ||
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520 | |a "Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"-- |c Provided by publisher. | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record and CIP data provided by publisher. | |
505 | 0 | |a Frontispiece -- Title Page -- Copyright -- Preface -- Introduction -- Why Biennials? -- Part 1. The Second Wave -- Part 2. The Politics of Legitimacy -- Part 3. Hegemony or a New Canon -- The Cultural Geography of Biennials -- Notes -- Part 1: The Second Wave -- 1: 1972: The Rise of the Star-Curator -- Introduction -- Preparation for a Walk-Through Event Structure -- "Therapy Has Changed and No Longer Encourages Copious Art Production" -- "The Most Important Exhibition of Recent Years" -- Conclusion -- Notes -- 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave -- Introduction: Biennials as Models for Cultural Encounters -- Founding the Sydney Biennale -- White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney -- Import/Export: Sydney and São Paulo -- Conclusion -- Notes -- 3: 1986: The South and the Edges of the Global -- Introduction: Origin Stories -- A Brief History of Southern Biennials -- The Second Bienal de La Habana -- Conclusion: The Stakes of Southern Histories -- Notes -- Part 2: The Politics of Legitimacy -- 4: 1989: Asian Biennialization -- Introduction -- Experimental Versus Traditional Art: "Traditions/Tensions" -- Conclusion -- Notes -- 5: 1997: Biennials, Migration, and Itinerancy -- Introduction -- Manifesta and Critical Regionalism -- Locality Fails: The 2nd Johannesburg Biennale -- By Way of Conclusion: The Emergency Biennale in Chechnya -- Notes -- Part 3: Hegemony or a New Canon -- 6: 2002: Cosmopolitanism -- Introduction -- The Five-Year Subaltern Plan -- Black Box, White Cube -- Conclusion -- Notes -- 7: 2003: Delegating Authority -- Introduction -- Tirana: "Opening Up the Conversation" -- Escape -- Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer -- "Counterbalance the Decadence of the Ancient City." | |
505 | 8 | |a "Outmoded Structure of National Pavilions and Theme Exhibitions" -- Conclusion -- Notes -- 8: 2014: Global Art Circuits -- Introduction -- The Game of Comparison and Competition -- Negotiated Inequality -- Contemporary Play Time -- Coda: 2014 -- Notes -- 9: Conclusion -- Notes -- Index -- EULA. | |
650 | 0 | |a Art and globalization |x History |y 20th century. | |
650 | 0 | |a Art and globalization |x History |y 21st century. | |
650 | 0 | |a Biennials (Art fairs) |x History. | |
650 | 7 | |a Art and globalization |2 fast | |
650 | 7 | |a Biennials (Art fairs) |2 fast | |
648 | 7 | |a 1900-2099 |2 fast | |
655 | 7 | |a History |2 fast | |
700 | 1 | |a Gardner, Anthony, |d 1976- |e author. | |
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776 | 0 | 8 | |i Print version: |a Green, Charles, 1953- |t Biennials, triennials, and Documenta. |b 1. |d Hoboken : John Wiley & Sons Inc., 2016 |z 9781444336641 |w (DLC) 2015038630 |
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