From stone to paper : architecture as history in the late Mughal Empire / Chanchal B. Dadlani.

By the 18th century, the Mughal Empire was well beyond its so-called golden age. Its control of the Indian subcontinent was increasingly threatened by regional Indian states, as well as by the encroaching British Empire. In response to a rapidly changing sociopolitical landscape, the Mughal emperors...

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Bibliographic Details
Main Author: Dadlani, Chanchal B. (Author)
Format: Book
Language:English
Published: New Haven [Conn.] : Yale University Press, [2018]
Subjects:

MARC

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245 1 0 |a From stone to paper :  |b architecture as history in the late Mughal Empire /  |c Chanchal B. Dadlani. 
264 1 |a New Haven [Conn.] :  |b Yale University Press,  |c [2018] 
300 |a xi, 219 pages :  |b illustratioons (chiefly color) ;  |c 26 cm. 
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504 |a Includes bibliographical references (180-209) and index. 
505 0 |a Introduction: the Mughal eighteenth century -- Between experimentation and regulation: the foundations of an eighteenth-century style -- The urban culture of Mughal Delhi -- "The last flicker in the lamp of Mughal architecture": transforming the imperial capital -- Codifying Mughal architecture on paper -- Mughal architecture between manuscript and print culture -- Conclusion: from historicization to abstraction. 
520 8 |a By the 18th century, the Mughal Empire was well beyond its so-called golden age. Its control of the Indian subcontinent was increasingly threatened by regional Indian states, as well as by the encroaching British Empire. In response to a rapidly changing sociopolitical landscape, the Mughal emperors used architecture to harness their illustrious past and stage cultural authority for contemporary audiences. Chanchal Dadlani provides the first in-depth look at this crucial period of architectural history. Discussing a rich array of built forms and urban spaces - from grand imperial mosques to Delhi's bustling thoroughfares - the volume sheds light on long-overlooked buildings. It also explores representations of architectural monuments that circulated in the form of building plans, manuscript paintings, and postcards. Ultimately, the book reveals how Mughal architects, artists, and patrons built on the cultural legacy of their imperial predecessors to create the very concept of a historical style identifiable as Mughal. 
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