Performing women : gender, self, and representation in late medieval Metz / Susannah Crowder.
This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the fema...
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| Online Access: |
Full Text (via EBSCO) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
Manchester :
Manchester University Press,
2018.
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| Series: | Manchester medieval literature and culture ;
22. |
| Subjects: |
| Summary: | This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory. |
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| Physical Description: | 1 online resource (x, 263 pages) : illustrations, maps. |
| Bibliography: | Includes bibliographical references (pages 232-256) and index. |
| ISBN: | 9781526127242 1526127245 |
| Source of Description, Etc. Note: | Description based on print version record. |