The Oxford handbook of sound and imagination. Volume 1 / edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard.
Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding...
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| Online Access: |
Full Text (via Oxford Handbooks Online) |
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| Other Authors: | , , |
| Other title: | Sound and imagination. |
| Format: | eBook |
| Language: | English |
| Published: |
New York :
Oxford University Press,
2019.
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| Series: | Oxford handbooks online.
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| Subjects: |
| Summary: | Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games. |
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| Physical Description: | 1 online resource (808 pages) |
| Audience: | Specialized. |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9780190460198 (ebook) |
| DOI: | 10.1093/oxfordhb/9780190460167.001.0001 |
| Source of Description, Etc. Note: | Description based on online resource; title from home page (viewed on August 6, 2019) |