Table of Contents:
  • Introduction: The comedy of self-reference
  • Slapstick spectators: Tillie's Punctured Romance (1914)
  • Buster Keaton's theory of film
  • Redeeming vision: Charlie Chaplin
  • Bodies of silence, bodies of sound: the Marx Brothers
  • Hollywood, television, and the case of Ernie Kovacs
  • Nouvelle Blagues: Jerry Lewis
  • Epilogue: The apotheosis of failure: Jackass.