Farocki/Godard : film as theory / Volker Pantenburg.
"This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Vo...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Main Author: | |
| Other title: | Film als Theorie. English. |
| Format: | eBook |
| Language: | English German |
| Published: |
Amsterdam :
Amsterdam University Press,
[2015]
|
| Series: | Film culture in transition.
Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; v. 25. |
| Subjects: |
MARC
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| 100 | 1 | |a Pantenburg, Volker, |d 1973- | |
| 240 | 1 | 0 | |a Film als Theorie. |l English. |
| 245 | 1 | 0 | |a Farocki/Godard : |b film as theory / |c Volker Pantenburg. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c [2015] | ||
| 300 | |a 1 online resource. | ||
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| 490 | 1 | |a Film culture in transition, |x 2213-7041. | |
| 490 | 1 | |a IKKM books ; |v volume 25. | |
| 505 | 0 | |a Cover -- Contents -- Preface to the English Edition -- Introduction -- Two Image Researchers -- 1. Le film qui pense -- Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush-Film and Painting -- Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm-Notes on the Essay Film -- 4. Cut-Interlude in the Editing Room. | |
| 505 | 8 | |a What an Editing Room is: InterfaceMontage, toujours: JLG/JLG -- 5. Taking pictures-Photography and Film -- Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and the Inscription of War -- 6. Two or Three Ways of Speaking with the Hands -- Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Expressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion -- Bibliography -- Acknowledgments -- Illustration Credits -- Index of Film Titles -- Index of Names. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Farocki, Harun. |
| 600 | 1 | 0 | |a Godard, Jean-Luc, |d 1930-2022. |
| 650 | 0 | |a Motion picture producers and directors. | |
| 600 | 1 | 7 | |a Farocki, Harun. |2 fast |0 (OCoLC)fst00420780. |
| 600 | 1 | 7 | |a Godard, Jean-Luc, |d 1930-2022 |2 fast |0 (OCoLC)fst00035647. |
| 650 | 7 | |a Motion picture producers and directors. |2 fast |0 (OCoLC)fst01027225. | |
| 830 | 0 | |a Film culture in transition. | |
| 830 | 0 | |a Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; |v v. 25. | |
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