Edouard Manet : images of Parisian life / Hajo Düchting.

The work of Edouard Manet scandalized his compatriots. It was not primarily Manet's new subject matter - the pulsating night life of Paris with its cafes, bars, and cabarets - that offended contemporary taste. For journalists and art critics of the day his paintings lacked realism - they were t...

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Bibliographic Details
Online Access: Full Text (via Internet Archive)
Main Author: Düchting, Hajo
Other Authors: Manet, Édouard, 1832-1883
Other title:Images of Parisian life.
Format: eBook
Language:English
German
Published: Munich ; New York : Prestel, ©1995.
Series:Pegasus library.
Subjects:

MARC

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245 1 0 |a Edouard Manet :  |b images of Parisian life /  |c Hajo Düchting. 
246 3 0 |a Images of Parisian life. 
260 |a Munich ;  |a New York :  |b Prestel,  |c ©1995. 
300 |a 1 online resource (128 pages :  |b illustrations (some color)) 
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500 |a Series from dust jacket. 
504 |a Includes bibliographical references (page 124) 
505 0 |a Paris: capital of the nineteenth century -- Music in the Tuileries -- In couture's studio -- Scandal at the salon -- The eternal feminine -- Championed by Emile Zola -- Nana, the Venus of Paris -- The heroism of modern life -- Reflections on history -- Focus on brushwork -- Mallarmé and Manet -- Cafés and café-concerts -- A panorama of modern life -- The lady at the bar. 
520 |a The work of Edouard Manet scandalized his compatriots. It was not primarily Manet's new subject matter - the pulsating night life of Paris with its cafes, bars, and cabarets - that offended contemporary taste. For journalists and art critics of the day his paintings lacked realism - they were too flat and the coloring too harsh. In Hajo Duchting's vivid descripion of the changing Paris of Napoleon III, Manet's famous friends - Baudelaire, Zola, and Mallarme - speak out. 
520 |a In his defense. In a detailed discussion of a wide selection of Manet's paintings the tension between traditionalism and modernism emerges as a key feature of his work. Well trained in academic painting and strongly influenced by Velazquez, Goya and Hals, Manet's painting technique was based on the juxtaposition of light and dark blocks of color, using a restricted palette in which black was very important. In contrast to the impressionists, who were concerned with. 
520 |a Transforming fleeting visual impressions of atmosphere and light into a web of shimmering colors, Manet's eye concentrates on the motif, on the figure in its individuality, the essence of which he was able to capture with a few adroit brushstrokes. 
600 1 0 |a Manet, Édouard,  |d 1832-1883. 
651 0 |a Paris (France)  |v In art. 
650 0 |a Painting, Modern  |y 19th century  |x History. 
600 1 7 |a Manet, Édouard,  |d 1832-1883.  |2 fast  |0 (OCoLC)fst00034056. 
650 7 |a Painting, Modern.  |2 fast  |0 (OCoLC)fst01050988. 
651 7 |a France  |z Paris.  |2 fast  |0 (OCoLC)fst01205283. 
655 7 |a Art.  |2 fast  |0 (OCoLC)fst01423702. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628. 
700 1 |a Manet, Édouard,  |d 1832-1883. 
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