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|z 0874719380
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|z 9780874719383
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|a (OCoLC)1147711176
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|a DLC
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|a PR601
|b .H6 1977
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| 072 |
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|a coll1
|2 lacc
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| 100 |
1 |
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|a Homberger, Eric.
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| 245 |
1 |
4 |
|a The art of the real :
|b poetry in England and America since 1939 /
|c Eric Homberger.
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| 260 |
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|a London :
|b Dent ;
|a Totowa, N.J. :
|b Rowman and Littlefield,
|c 1977.
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| 300 |
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|a 1 online resource (x, 246 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent.
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| 337 |
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|a computer
|b c
|2 rdamedia.
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| 338 |
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|a online resource
|b cr
|2 rdacarrier.
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| 490 |
1 |
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|a [Everyman's university library]
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| 504 |
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|a Includes bibliographical references (pages 231-239) and index.
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|a The 1940s: MacNeice and the art of the real; his dilemma in Autumn Journal; MacNeice as a war casualty; Auden departs for New york, and rejects his political poetry; the 'new' Auen and New Year Letter; Randall Jarrell and the end of the Audenesque; literature and society during the war; and the new Kulturbolschewismus; Alun Lewis and the crisis of creativity during wartime; Roy Fuller and the decline of political commitment in English poetry. -- The 1950s: The 'collapse' of the poetry market after the war, and the reaction against modernism; literary intellectuals in the new prosperity; Larkin, the saddest heart in the supermarket; Donald Davie on the road to Palo Alto; a cento from the new age; Richard Wilbur and some versions of formalism (Donald Hall, Anthony Thwaite); the movement meets its anti-type in Theodore Roethke: two poets who tell us what it meant to dissent from the reigning orthodoxies; William Carlos Williams takes the measure of American life in Paterson; but Charles Olson wasn't impressed; Allen Ginsberg opens a Pandora's box with an elegy for the bohemia of the 1940s and a prayer for the restless spirit of his mother; three ex-formalists take us into the 1960s: W.D. Snodgrass, Robert Lowell and Sylvia Plath. -- The 1960s and 1970s: The hegemony of the chatty-vernacular, anti-poetic, corn-porn typical poem of the 1960s and 1970s masks the stealthy emergence of the long poem as the common poetic medium of the day; a salon des refuses of untypical long poems by Charles Reznikoff, Richard Emil Braun and Basil Bunting, suggests something of the capacious heritage of Ezra Pound; an angry primitivism arrives, led by Gary Snyder; Galway Kinnell from alienation to primitivism; the loose, baggy monsters of John Berryman and Robert Lowell; the final contention between Geoffrey Hill and Ted Hughes.
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| 511 |
0 |
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|a ISBN 0-460-11084-5 Pbk : ́♯2.95.
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| 650 |
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0 |
|a English poetry
|y 20th century
|x History and criticism.
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| 650 |
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0 |
|a American poetry
|y 20th century
|x History and criticism.
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| 651 |
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|a English-speaking countries
|x Intellectual life
|y 20th century.
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| 776 |
0 |
8 |
|i Online version:
|a Homberger, Eric.
|t Art of the real.
|d London : Dent ; Totowa, N.J. : Rowman and Littlefield, 1977
|w (OCoLC)637196299.
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| 830 |
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0 |
|a Everyman's university library.
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| 856 |
4 |
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|u https://archive.org/details/artofrealpoetryi0000homb
|z Full Text (via Internet Archive)
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| 907 |
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|a .b111172706
|b 06-18-20
|c 06-18-20
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| 998 |
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|a web
|b - -
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|f eng
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|h 4
|i 1
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| 956 |
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|a Internet Archive
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| 952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Online
|c Online
|d Online
|e PR601 .H6 1977
|h Library of Congress classification
|i web
|n 1
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