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910529s1992 lau o 000 1 eng |
| 005 |
20230926204526.9 |
| 010 |
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|z 91020123
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| 020 |
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|z 0807117064
|q (alk. paper)
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| 020 |
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|z 9780807117064
|q (alk. paper)
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| 035 |
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|a (CaSfIA)iam000000000122066
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| 040 |
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|a DLC
|b eng
|c DLC
|d BAKER
|d BTCTA
|d YDXCP
|d DEBBG
|d OCLCF
|d OCLCO
|d OCLCQ
|d OCLCO
|d TYC
|d OCLCO
|d OCL
|d CN5CF
|d OCLCA
|d CaSfIA
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| 043 |
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|a n-us-nm
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| 050 |
0 |
4 |
|a PS3569.W247
|b G48 1992
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| 100 |
1 |
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|a Swan, Gladys,
|d 1934-
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| 245 |
1 |
0 |
|a Ghost dance :
|b a play of voices : a novel /
|c by Gladys Swan.
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| 260 |
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|a Baton Rouge :
|b Louisiana State University Press,
|c 1992.
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| 300 |
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|a 1 online resource (251 pages)
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| 336 |
|
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|a text
|b txt
|2 rdacontent.
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| 337 |
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|a computer
|b c
|2 rdamedia.
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| 338 |
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|a online resource
|b cr
|2 rdacarrier.
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| 505 |
0 |
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|a Ch. 1. The Geometric Style -- Ch. 2. The Heraldic Style -- Ch. 3. The Introduction of Vegetal Ornament and the Development of the Ornamental Tendril -- A. Near Eastern -- 1. Egyptian. The Development of Vegetal Ornament -- 2. Mesopotamian -- 3. Phoenician -- 4. Persian -- B. Vegetal Ornament in Greek Art -- 1. Mycenaean. The Origin of the Tendril -- 2. The Dipylon Style -- 3. Melian -- 4. Rhodian -- 5. Early Boeotian and Early Attic -- 6. The Interlacing Tendril -- 7. The Development of the Tendril Frieze -- 8. The Further Development of the All-over Tendril Pattern -- 9. The Emergence of Acanthus Ornament -- 10. Hellenistic and Roman Tendril Ornament -- a. Two-Dimensional Palmette-Tendrils -- b. The Acanthus Tendril -- Ch. 4. The Arabesque: Introduction -- A. Tendril Ornament in Byzantine Art -- B. Early Islamic Tendril Ornament -- Glossary of Terms and Concepts Used by Riegl.
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| 520 |
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|a "Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continuity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate." "His discovery of infinite variation in the restatement of several decorative motifs - the palmette, rosette, tendril - led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention."--BOOK JACKET.
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| 650 |
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0 |
|a Motion picture actors and actresses
|v Fiction.
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| 651 |
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0 |
|a New Mexico
|v Fiction.
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| 650 |
|
7 |
|a Motion picture actors and actresses.
|2 fast
|0 (OCoLC)fst01027096.
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| 651 |
|
7 |
|a New Mexico.
|2 fast
|0 (OCoLC)fst01204269.
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| 655 |
|
7 |
|a Detective and mystery fiction.
|2 fast
|0 (OCoLC)fst01726581.
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| 655 |
|
7 |
|a Fiction.
|2 fast
|0 (OCoLC)fst01423787.
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| 655 |
|
7 |
|a Mystery fiction.
|2 gsafd.
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| 655 |
|
7 |
|a Detective and mystery fiction.
|2 lcgft.
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| 856 |
4 |
0 |
|u https://archive.org/details/problemsofstylef00rieg
|z Full Text (via Internet Archive)
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| 907 |
|
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|a .b111453653
|b 06-24-20
|c 06-24-20
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| 998 |
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|a web
|b - -
|c f
|d b
|e z
|f eng
|g lau
|h 0
|i 1
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| 956 |
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|a Internet Archive
|
| 999 |
f |
f |
|i ed251f91-3dc3-5dde-aac6-30ed45b28146
|s e9d5020c-8ccd-54c2-94f7-2f2f91da7f9f
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| 952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Online
|c Online
|d Online
|e PS3569.W247 G48 1992
|h Library of Congress classification
|i web
|n 1
|
