The Three Amigos : the Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón.

Now available in paperback, this is the first academic book dedicated to the filmmaking of the three best known Mexican born directors, Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. Deborah Shaw examines the career trajectories of the directors and presents a detailed analysis...

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Bibliographic Details
Online Access: Full Text (via ProQuest)
Main Author: Shaw, Deborah
Other Authors: Triana-Toribio, Nuria, Willis, Andy
Format: eBook
Language:English
Published: Manchester : Manchester University Press, 2016.
Series:Spanish and Latin American Filmmakers MUP.
Subjects:

MARC

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505 0 |a The three amigos: The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón; Half Title Page; Title Page; Copyright Page; Dedication; Contents; List of figures; Acknowledgements; Introduction; Part I: Guillermo del Toro: the alchemist; 1. Cronos: introducing Guillermo del Toro; 2. Generating an authorial presence with Hellboy II: The Golden Army; 3. El laberinto del fauno: breaking through the barriers of filmmaking; Part II: Alejandro González Iñárritu: independentfilmmaker; 4. Crashing into the international film market with Amores perros. 
505 8 |a 5. 21 Grams: an American independent film made by Mexicans6. Babel and the global Hollywood gaze; Part III: Alfonso Cuarón: a study of auteurism in flux; 7. Alfonso Cuarón's first films in Mexico and the USA; 8. Cuarón finds his own path: Y tu mamá también; 9. Children of Men: the limits of radicalism; Conclusion; Filmography; Bibliography; Index. 
520 |a Now available in paperback, this is the first academic book dedicated to the filmmaking of the three best known Mexican born directors, Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. Deborah Shaw examines the career trajectories of the directors and presents a detailed analysis of their most significant films with a focus on both the texts and the production contexts in which they were made. These include studies on del Toro's Cronos/ Chronos, El laberinto del fauno/Pan's Labyrinth, and Hellboy II: The Golden Army; Iñárritu's Amores Perros, 21 Grams and Babel; and Cuarón' 
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