|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
b11283077 |
003 |
CoU |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
991015s2000 nyua obk 001 0 eng |
005 |
20230711164419.9 |
010 |
|
|
|z 99052604
|
020 |
|
|
|z 0195058496
|
020 |
|
|
|z 9780195058499
|
020 |
|
|
|z 0195162579 (pbk.)
|
020 |
|
|
|z 9780195162578 (pbk.)
|
035 |
|
|
|a (CaSfIA)iam000000000264744
|
035 |
|
|
|a (OCoLC)1036706528
|
040 |
|
|
|a DLC
|c DLC
|d UKM
|d C#P
|d LVB
|d IIB
|d BAKER
|d NLGGC
|d BTCTA
|d YDXCP
|d OCLCG
|d STF
|d OCLCQ
|d IG#
|d EXW
|d CaSfIA
|
042 |
|
|
|a pcc
|
043 |
|
|
|a n-us-ny
|
050 |
0 |
4 |
|a ML200.8.N5
|b O43 2000
|
100 |
1 |
|
|a Oja, Carol J.,
|d 1953-
|
245 |
1 |
0 |
|a Making music modern :
|b New York in the 1920s /
|c Carol J. Oja.
|
260 |
|
|
|a New York :
|b Oxford University Press,
|c 2000.
|
300 |
|
|
|a 1 online resource (xii, 493 pages :
|b illustrations)
|
336 |
|
|
|a text
|b txt
|2 rdacontent.
|
337 |
|
|
|a computer
|b c
|2 rdamedia.
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier.
|
504 |
|
|
|a Includes bibliographical references (p. 459-467), discography (p. 365-366), and index.
|
505 |
0 |
0 |
|t Introduction: The Modern Music Shop --
|t Enter the Moderns --
|t Leo Ornstein: "Wild Man" of the 1910s --
|t Creating a God: The Reception of Edgard Varese --
|t The Arrival of European Modernism --
|t The Machine in the Concert Hall --
|t Engineers of Art --
|t Ballet Mecanique and International Modernist Networks --
|t Spirituality and American Dissonance --
|t Dane Rudhyar's Vision of Dissonance --
|t The Ecstasy of Carl Ruggles --
|t Henry Cowell's "Throbbing Masses of Sounds" --
|t Ruth Crawford and the Apotheosis of Spiritual Dissonance --
|t Myths and Institutions --
|t A Forgotten Vanguard: The Legacy of Marion Bauer, Frederick Jacobi, Emerson Whithorne, and Louis Gruenberg --
|t Organizing the Moderns --
|t Women Patrons and Activists --
|t New World Neoclassicism --
|t Neoclassicism: "Orthodox Europeanism" or Empowering Internationalism? --
|t The fransatlantic Gaze of Aaron Copland --
|t Virgil Thomson's "Cocktail of Culture" --
|t A Quartet of New World Neoclassicists --
|t European Modernists and American Critics --
|t Europeans in Performance and on Tour --
|t Visionary Critics --
|t Widening Horizons --
|t Modernism and the "Jazz Age" --
|t Crossing Over with George Gershwin, Paul Whiteman, and the Modernists --
|t Programs of Modern-Music Societies in New York, 1920-1931.
|
650 |
|
0 |
|a Music
|z New York (State)
|z New York
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a Composers
|z New York (State)
|z New York.
|
856 |
4 |
0 |
|u https://archive.org/details/makingmusicmoder00ojac
|z Full Text (via Internet Archive)
|
907 |
|
|
|a .b112830778
|b 06-30-20
|c 06-30-20
|
998 |
|
|
|a web
|b - -
|c f
|d b
|e z
|f eng
|g nyu
|h 0
|i 1
|
956 |
|
|
|a Internet Archive
|
999 |
f |
f |
|i acb6e9c5-3c86-57c0-ae43-dd1e6f26f3e6
|s 27a2e9a8-2ca4-50ce-9ae9-cfb750f096d8
|
952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Online
|c Online
|d Online
|e ML200.8.N5 O43 2000
|h Library of Congress classification
|i web
|n 1
|