Making music modern : New York in the 1920s / Carol J. Oja.
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| Format: | eBook |
| Language: | English |
| Published: |
New York :
Oxford University Press,
2000.
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Table of Contents:
- Introduction: The Modern Music Shop
- Enter the Moderns
- Leo Ornstein: "Wild Man" of the 1910s
- Creating a God: The Reception of Edgard Varese
- The Arrival of European Modernism
- The Machine in the Concert Hall
- Engineers of Art
- Ballet Mecanique and International Modernist Networks
- Spirituality and American Dissonance
- Dane Rudhyar's Vision of Dissonance
- The Ecstasy of Carl Ruggles
- Henry Cowell's "Throbbing Masses of Sounds"
- Ruth Crawford and the Apotheosis of Spiritual Dissonance
- Myths and Institutions
- A Forgotten Vanguard: The Legacy of Marion Bauer, Frederick Jacobi, Emerson Whithorne, and Louis Gruenberg
- Organizing the Moderns
- Women Patrons and Activists
- New World Neoclassicism
- Neoclassicism: "Orthodox Europeanism" or Empowering Internationalism?
- The fransatlantic Gaze of Aaron Copland
- Virgil Thomson's "Cocktail of Culture"
- A Quartet of New World Neoclassicists
- European Modernists and American Critics
- Europeans in Performance and on Tour
- Visionary Critics
- Widening Horizons
- Modernism and the "Jazz Age"
- Crossing Over with George Gershwin, Paul Whiteman, and the Modernists
- Programs of Modern-Music Societies in New York, 1920-1931.