Inside early music : conversations with performers / Bernard D. Sherman.
Twenty-three musicians and conductors discuss the early music movement, in which music is played with the styles and instruments used when the piece was originally written and performed. "Each interview [focuses] on particular composers or styles, touching on heated topics such as how historica...
Saved in:
| Online Access: |
Full Text (via Internet Archive) |
|---|---|
| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
New York :
Oxford University Press,
1997.
|
| Subjects: |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | b11315786 | ||
| 003 | CoU | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 960220s1997 nyug ob 001 0 eng | ||
| 005 | 20230711155928.0 | ||
| 010 | |z 96006341 | ||
| 020 | |z 0195097084 | ||
| 020 | |z 9780195097085 | ||
| 035 | |a (CaSfIA)iam000000000297586 | ||
| 035 | |a (OCoLC)1035699863 | ||
| 040 | |a DLC |c DLC |d UKM |d MUQ |d BAKER |d NLGGC |d BTCTA |d YDXCP |d NLE |d SXC |d GEBAY |d CaSfIA | ||
| 050 | 0 | 4 | |a ML457 |b .S52 1997 |
| 100 | 1 | |a Sherman, Bernard D. | |
| 245 | 1 | 0 | |a Inside early music : |b conversations with performers / |c Bernard D. Sherman. |
| 260 | |a New York : |b Oxford University Press, |c 1997. | ||
| 300 | |a 1 online resource (xi, 414 pages : |b music) | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Medieval music, plainchant, and "otherness" -- The Renaissance, Oxbridge, and Italy -- The Baroque -- Classical and Romantic. | |
| 520 | |a Twenty-three musicians and conductors discuss the early music movement, in which music is played with the styles and instruments used when the piece was originally written and performed. "Each interview [focuses] on particular composers or styles, touching on heated topics such as how historical evidence should be used, why period instruments might matter, and what 'authenticity' is."--Jacket. | ||
| 650 | 0 | |a Performance practice (Music) | |
| 650 | 0 | |a Style, Musical. | |
| 650 | 0 | |a Musicians |x Interviews. | |
| 776 | 0 | 8 | |i Online version: |a Sherman, Bernard D. |t Inside early music. |d New York : Oxford University Press, 1997 |w (OCoLC)639330060. |
| 856 | 4 | 0 | |u https://archive.org/details/insideearlymusic00sher |z Full Text (via Internet Archive) |
| 907 | |a .b113157861 |b 07-01-20 |c 07-01-20 | ||
| 998 | |a web |b - - |c f |d b |e z |f eng |g nyu |h 0 |i 1 | ||
| 956 | |a Internet Archive | ||
| 999 | f | f | |i 22e06dc3-80ae-5ce9-a53c-2b95b71ed98c |s 25369902-f5af-50ab-b065-dc48951510f3 |
| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e ML457 .S52 1997 |h Library of Congress classification |i web |n 1 |