Flaming? : the peculiar theopolitics of fire and desire in black male gospel performance / Alisha Lola Jones.
Prompted by the popular term "flaming" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that male African American gospel singers wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletic...
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Full Text (via Oxford Scholarship Online) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
New York :
Oxford University Press,
2020.
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| Series: | Oxford scholarship online.
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| Subjects: |
MARC
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Prompted by the popular term "flaming" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that male African American gospel singers wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletics, to position themselves along a spectrum of gender identities. These multisensory enactments empower artists (i.e., "peculiar people") to demonstrate modes of "competence" that affirm their fitness to minister through speech and song. Through a progression of transcongregational case studies, Flaming? observes the ways in which African American men traverse tightly knit social networks to negotiate their identities through and beyond the worship experience. | |
| 521 | |a Specialized. | ||
| 588 | |a Description based on online resource; title from home page (viewed on May 27, 2020) | ||
| 650 | 0 | |a Gospel music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2008105342. | |
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