World cinema's 'dialogues' with Hollywood [electronic resource] / edited by Paul Cooke.

World Cinema's 'Dialogues' with Hollywood looks at the way Hollywood has interacted with a range of national and transnational cinemas. It considers how Hollywood has acted both as a magnate for the talent of the world's cinema and as a critical foil for filmmakers questioning th...

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Bibliographic Details
Online Access: Full Text (via Springer)
Other Authors: Cooke, Paul, 1969-
Format: Electronic eBook
Language:English
Published: Basingstoke : Palgrave Macmillan, 2007.
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245 0 0 |a World cinema's 'dialogues' with Hollywood  |h [electronic resource] /  |c edited by Paul Cooke. 
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504 |a Includes bibliographical references and indexes. 
505 0 |a From Caligari to Edward scissorhands: the continuing meta-cinematic journey of German expressionism / Paul Cooke -- Dream factory and film factor: the Soviet response to Hollywood 1917-1941 / Graham Roberts -- Anglo-American collaboration: Korda, Selznick and Goldwyn / Charles Drazin -- From Pirandello to MGM: when classical Hollywood reads European literature / Catherine O'Rawe -- The modernism of Frank Capra and European ethical thought / Sam B. Girgus -- The transnational journey of the celluloid Baiana: round-trip Rio-LA / Lisa Shaw -- The American dream in post-war Italy / Geoffrey Nowell-Smith -- Colonising the European utopia: Hollywood musicals in Europe / Fiona Handyside -- Sex, gender and auteurism: the French new wave and Hollywood / Diana Holmes -- A fistful of Yojimbo: appropriation and dialogue in Japanese cinema / Rachel Hutchinson -- All that melodrama allows: Sirk, Fassbinder, Almodóvar, Haynes / Eric M. Thau -- Lost in translation: a few vagaries of the alphabet game played between Bombay cinema and Hollywood / Kaushik Bhaumik -- Between sunrise and sunset: an elliptical dialogue between American and European cinema / Rob Stone -- Hero: how Chinese is it? Julian Stringer, Qiong Yu. 
520 |a World Cinema's 'Dialogues' with Hollywood looks at the way Hollywood has interacted with a range of national and transnational cinemas. It considers how Hollywood has acted both as a magnate for the talent of the world's cinema and as a critical foil for filmmakers questioning the imperial power of the US. From German Expressionism at the start of the twentieth century to East Asian martial arts movies at the start of the twenty-first, the contributors show the profound impact that Hollywood has had upon the history of the medium. At times it seems that if there is a 'dialogue' to be identified it is one where the US majors have done all the talking. However, as this volume highlights throughout, this is far from the case. Indeed, it is impossible to understand the development of mainstream North American cinema without understanding the economic, aesthetic and political influence on it from the rest of the world. 
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