Decentring dancing texts [electronic resource] : the challenge of interpreting dances / edited by Janet Lansdale.
Decentring is a term used both in dance and in critical theory. Merce Cunningham famously decentred the dance, with several activities taking place at once. The absence of a directed structure for the spectator invited instead a multiplicity of co-existing perspectives. The lack of a centre is also...
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Full Text (via Springer) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Basingstoke [England] ; New York :
Palgrave Macmillan,
©2008.
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Decentring dancing texts |h [electronic resource] : |b the challenge of interpreting dances / |c edited by Janet Lansdale. |
| 260 | |a Basingstoke [England] ; |a New York : |b Palgrave Macmillan, |c ©2008. | ||
| 300 | |a 1 online resource (xi, 216 pages) : |b illustrations. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Intertextual narratives in dance analysis / |r Janet Landsdale -- |t Betraying history? : an historiographic analysis of The Judas tree (1992) / |r Alexandra Carter -- |t Unbalancing the authentic/partnering classicism : Shobana Jeyasingh's choreography and the Bharata Natyam "tradition" / |r Janet O'Shea -- |t Akram Khan's ma (2004) : an essay in hybridisation and productive ambiguity / |r Lorna Sanders -- |t Elusive narratives : Mats Ek / |r Giannandrea Poesio -- |t On the premises of French contemporary dance : concepts, collectivity and "Trojan horses" in the work of Jérôme Bel and Loïc Touzé / |r Toni D'Amelio -- |t Chasing voices : Ian Spink's dancing Fugue (1988) / |r Janet Lansdale -- |t Jonathan Burrows and Matteo Fargion's Both sitting duet (2002) : a discursive choreomusical collaboration / |r Daniela Perazzo Domm -- |t Lea Anderson, dancing and drawing the past into the present / |r Henia Rottenberg -- |t Mad hot ballroom and the politics of transformation / |r Sherril Dodds -- |t Mapping the multifarious : the genrification of dance music club cultures / |r Joanna Louise Hall -- |t Harpies and pyjamas : the making of Heart thief (2003) / |r Deveril. |
| 520 | |a Decentring is a term used both in dance and in critical theory. Merce Cunningham famously decentred the dance, with several activities taking place at once. The absence of a directed structure for the spectator invited instead a multiplicity of co-existing perspectives. The lack of a centre is also typical of writings in new theories of post-structuralism. Decentring Dancing Texts analyses recent dance practices in the theatre, in club culture and on film, addressing their interdisciplinary relationship with music, painting and plays through new theoretical positions. Covering works by Lea Anderson, J̌rome Bel, Jonathan Burrows, Mats Ek, Akram Khan, Shobana Jeyasingh, Ian Spink and Lo̐c Touž, the book also contains an original essay on New York youngsters dancing in the film Mad Hot Ballroom. The contributors use insights from web-based theories of hypertextuality to analyse the making of new television dance and to construct the spectator as co-creator of meaning in the work, with the original maker. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Choreography |v Cross-cultural studies. | |
| 650 | 0 | |a Dance |v Cross-cultural studies. | |
| 650 | 7 | |a Choreography. |2 fast |0 (OCoLC)fst00858600. | |
| 650 | 7 | |a Dance. |2 fast |0 (OCoLC)fst00887402. | |
| 655 | 7 | |a Cross-cultural studies. |2 fast |0 (OCoLC)fst01423769. | |
| 700 | 1 | |a Lansdale, Janet, |e editor. |0 http://id.loc.gov/authorities/names/n84159548 |1 http://isni.org/isni/0000000063097680. | |
| 776 | 0 | 8 | |i Print version: |t Decentring dancing texts. |d Basingstoke [England] ; New York : Palgrave Macmillan, ©2008 |z 9780230542594 |z 023054259X |w (DLC) 2008015941 |w (OCoLC)225846712. |
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