Cultural globalization and music [electronic resource] : African artists in transnational networks / Nadia Kiwan, Ulrike Hanna Meinhof.
This book is about South-North, North-South relations between Africa and Europe, seen through the prism of musicians from North Africa and Madagascar: a decidedly 'bottom-up' view, which privileges the voices of people 'on the move'.€The book€presents the personal narratives of m...
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| Format: | Electronic eBook |
| Language: | English |
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New York :
Palgrave Macmillan,
2011.
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MARC
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| 100 | 1 | |a Kiwan, Nadia. |0 http://id.loc.gov/authorities/names/no2009091992 |1 http://isni.org/isni/0000000062008973. | |
| 245 | 1 | 0 | |a Cultural globalization and music |h [electronic resource] : |b African artists in transnational networks / |c Nadia Kiwan, Ulrike Hanna Meinhof. |
| 260 | |a New York : |b Palgrave Macmillan, |c 2011. | ||
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
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| 505 | 0 | |a Acknowledgements -- Introduction -- Networks and Transnational Movements ₆ a Theoretical and Methodological Challenge to Migration Research -- Translocal Networking in Madagascar and Morocco -- Metropolitan Hubs in the South -- Capital Cities as Global Hubs -- Beyond the Capitals: Translocality/transnationality in Europe and the South -- Mutual Supports: North <> South -- Mutual supports: South <> North. | |
| 504 | |a Includes bibliographical references (pages 258-264) and index. | ||
| 520 | |a This book is about South-North, North-South relations between Africa and Europe, seen through the prism of musicians from North Africa and Madagascar: a decidedly 'bottom-up' view, which privileges the voices of people 'on the move'.€The book€presents the personal narratives of musicians in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of global or globalizing societies.€The authors€suggest that artists who create or enter such networks follow a different logic of translocal and transnational links than is normally associated with diaspora and migration research on music. Of particular significance in€the study is a new perspective on migration which not only focuses on transnational migrants who left their country of origin, but foregrounds an analysis of migration within so-called 'sending' countries - a process which often motivates the first steps towards transnational migration. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Popular music |x Social aspects |z Africa. | |
| 650 | 0 | |a Music and transnationalism |z Europe. | |
| 650 | 0 | |a Music and transnationalism |z Africa. | |
| 650 | 7 | |a Music and transnationalism. |2 fast |0 (OCoLC)fst01748148. | |
| 650 | 7 | |a Popular music |x Social aspects. |2 fast |0 (OCoLC)fst01071460. | |
| 651 | 7 | |a Africa. |2 fast |0 (OCoLC)fst01239509. | |
| 651 | 7 | |a Europe. |2 fast |0 (OCoLC)fst01245064. | |
| 700 | 1 | |a Meinhof, Ulrike Hanna. |0 http://id.loc.gov/authorities/names/n88617548 |1 http://isni.org/isni/0000000110267751. | |
| 776 | 0 | 8 | |i Print version: |a Kiwan, Nadia. |t Cultural globalization and music. |d New York : Palgrave Macmillan, 2011 |z 9780230221291 |w (DLC) 2011004140 |w (OCoLC)698330379. |
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