Contemporary British queer performance [electronic resource] / Stephen Greer.
If the 1970s saw the first appearance of lesbian and gay dramas, the 1990s have seen the rise of a broader but more troublesome claim on queer performance. If no longer tied to the politics of 'coming out' and the question of visibility, for whom and how does queer performance act? Drawing...
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| Online Access: |
Full Text (via Springer) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Houndmills, Basingstoke, Hampshire ; New York :
Palgrave Macmillan,
2012.
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| Series: | Performance interventions.
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| Subjects: |
| Summary: | If the 1970s saw the first appearance of lesbian and gay dramas, the 1990s have seen the rise of a broader but more troublesome claim on queer performance. If no longer tied to the politics of 'coming out' and the question of visibility, for whom and how does queer performance act? Drawing on queer theory's questioning of identity, representation and authenticity, this volume presents a genealogy of performance practice which begins in discussion of Gay Sweatshop (the UK's first openly lesbian and gay theatre company) before turning to examine where its foundational priorities and aspirations have been transformed in works and practice of the last twenty years. Grounded in practitioner and audience accounts of performance, this book examines works produced in a range of new contexts to argue for the significance of collaborative practices across Britain: as national and community histories; as protest and activism; as theatre-in-education and applied theatre; and within the UK's queer arts festivals. |
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| Physical Description: | 1 online resource (x, 245 pages) : illustrations. |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781137027337 1137027339 9786613900050 6613900052 |
| Language: | English. |
| Source of Description, Etc. Note: | Print version record. |