Blake 2.0 [electronic resource] : William Blake in twentieth-century art, music and culture / edited by Steve Clark, Tristanne Connolly and Jason Whittaker.
Blake said of his designs, 'Tho' I call them Mine I know they are not Mine'. Then who owns Blake? Where does his work begin and end? There is something about reading and viewing Blake's multimedia which spurs creation in response. His reception goes far beyond academic criticism...
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Online Access: |
Full Text (via Springer) |
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Other Authors: | , , |
Format: | Electronic eBook |
Language: | English |
Published: |
Basingstoke :
Palgrave Macmillan,
2012.
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Subjects: |
Summary: | Blake said of his designs, 'Tho' I call them Mine I know they are not Mine'. Then who owns Blake? Where does his work begin and end? There is something about reading and viewing Blake's multimedia which spurs creation in response. His reception goes far beyond academic criticism because he is more than just a literary figure: artist, printmaker, philosopher, revolutionary, visionary, Blake has always been more than words on a page. This volume follows some of his digital and analog regenerations in the fields of comics, cultural criticism, copyright; sculpture, surrealism, art history, art therapy; film, folk, rock, pop, and the afterlife of Blake's own music and lyrics. A variety of virtual selves has been created for Blake, his works, and his audience by the twentieth-century dissemination across a wide variety of media, and the more recent interactive possibilities raised by Web 2.0 as technology and as concept. |
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Physical Description: | 1 online resource (324 pages) : illustrations |
Bibliography: | Includes bibliographical references and index. |
ISBN: | 9780230366688 0230366686 9781349592029 1349592021 9780230366671 0230366678 |
Source of Description, Etc. Note: | Print version record. |
Terms Governing Use and Reproduction Note: | Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |