The self in performance : autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre / Susana Pendzik, Renée Emunah, David Read Johnson, editors.
This book is the first to examine the performance of autobiographical material as a theatrical form, a research subject, and a therapeutic method. Contextualizing personal performance within psychological and theatrical paradigms, the book identifies and explores core concepts, such as the function...
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Format: | eBook |
Language: | English |
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New York :
Palgrave Macmillan,
2016.
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Table of Contents:
- Chapter 1. The Self In Performance; Susana Pendzik, Renee Emunah, and David Read Johnson
- Part I. Influences and Concepts
- Chapter 2. Influences of Experimental Theatre on the Emergence Of Self-Revelatory Performance; Stephen Snow
- Chapter 3. From Behind the Scenes to Facing an Audience in Self- Revelatory Performance; Renee Emunah
- Chapter 5. Surprise and Otherness in Self-Revelatory Performance; David Read Johnson
- Chapter 6. Relational Aesthetics in the Performance of Personal Story; Nisha Sajnani
- Chapter 7. Intersubjectivity in Autobiographical Performance in Dramatherapy; Jean-Francois Jacques
- Part II. Applications and Approaches
- Chapter 8. Autobiographical Therapeutic Performance as Individual Therapy; Armand Volkas
- Chapter 9. Embodied Life-Stories; Sheila Rubin
- Chapter 10. Restoried Script Performance; Pam Dunne
- Chapter 11. The Performative; Gideon Zehavi
- Chapter 12. Heuristic Methodology in Arts-Based Inquiry of Autobiographcial Therapeutic Performance; Drew Bird
- Chapter 13. A Retrospective Study of Autobiographical Performance During Dramatherapy Training; Ditty Dokter and Alida Gersie
- Chapter 14. Personal Theatre and Pedagogy; Anna Seymour
- Chapter 15. Autobiographical Therapeutic Theatre With Older People With Dementia; Dovrat Harel
- Chapter 16. The Unheard Stories Of Those Forgotten Behind Bars In Lebanon; Zeina Daccache
- Chapter 17. Reflections On Terrorists Of The Heart: A Couple's Performance On Loss And Acceptance; Jules Dorey Richmond and David Richmond
- Chapter 18. The Play As Client; Maria Hodermarska, Prentiss Benjamin, and Stephanie Omens.