Shakespeare, Bakhtin, and film [electronic resource] : a dialogic lens / Keith Harrison.
This book explores how Bakhtin's ideas can illuminate the compelling but uneasy fusion of Shakespeare and cinema. With a wide variety of tones, languages, cultural orientations, and thematic concerns, film directors have updated, translated, transposed, fragmented, parodied, and geographically...
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Full Text (via Springer) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cham :
Palgrave Macmillan,
2017.
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| Subjects: |
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| 100 | 1 | |a Harrison, Keith. |0 http://id.loc.gov/authorities/names/n82089838. | |
| 245 | 1 | 0 | |a Shakespeare, Bakhtin, and film |h [electronic resource] : |b a dialogic lens / |c Keith Harrison. |
| 260 | |a Cham : |b Palgrave Macmillan, |c 2017. | ||
| 300 | |a 1 online resource (267 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 1. William Shakespeare and Mikhail Bakhtin: Filming Dialogically -- 2. Chronotopes and Categories of Shakespeare-inflected Films -- 3. Chronotopic Images and Cinematic Dialogism with Shakespeare -- 4. Kurosawa, Kozintsev, Kaurismäki, and Almereyda: Hamlet and Transnational Dialogism -- 5. Withnail and I: The Ghost of Shakespeare -- 6. Bakhtinian Polyphony in Godard's King Lear -- 7. Shakespeare Shaping in Dogme95 Films, and Bakhtin's Theory of Tragedy -- 8. Scotland, PA: Parody, Nostalgia, Irony, and Menippean Satire -- 9. Romeo and Juliet, Polyglossia, and the Romantic Politics of Deepa Mehta's Water -- 10. Unfinalizability and Cinematic Shakespeare. | |
| 520 | |a This book explores how Bakhtin's ideas can illuminate the compelling but uneasy fusion of Shakespeare and cinema. With a wide variety of tones, languages, cultural orientations, and thematic concerns, film directors have updated, translated, transposed, fragmented, parodied, and geographically re-situated Shakespeare. Keith Harrison illustrates how Bakhtin's interlinked writings in various fields can fruitfully be applied to an understanding of how the ongoing responsiveness of filmmakers to Shakespeare's historically remote words can shape self-expressive acts of co-authoring in another medium. Through the use of such Bakhtinian concepts as the chronotope, heteroglossia, the carnivalesque, and polyphony, Harrison details how filmmakers--faithful to their specific cultures, genders, geographies, and historical moments--dialogically locate their particularity through Shakespeare's presence. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 5, 2017) | |
| 600 | 1 | 0 | |a Bakhtin, M. M. |q (Mikhail Mikhaĭlovich), |d 1895-1975 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |0 http://id.loc.gov/authorities/names/sh85120926. |
| 650 | 0 | |a Motion pictures |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh2008108033. | |
| 650 | 0 | |a Dialogism (Literary analysis) |0 http://id.loc.gov/authorities/subjects/sh00009821. | |
| 600 | 1 | 7 | |a Bakhtin, M. M. |q (Mikhail Mikhaĭlovich), |d 1895-1975. |2 fast |0 (OCoLC)fst00054331. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048. |
| 650 | 7 | |a Dialogism (Literary analysis) |2 fast |0 (OCoLC)fst00892485. | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
| 776 | 0 | 8 | |i Print version: |a Harrison, Keith. |t Shakespeare, Bakhtin, and film : a dialogic lens. |d Cham, Switzerland : Palgrave Macmillan, ©2017 |h ix, 262 pages |z 9783319597423. |
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