Absent the archive : cultural traces of a massacre in Paris, 17 October 1961 / Lia Brozgal.
Absent the Archive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. This corpus, or anarchive, includes a variety of cultural texts whose formal, diegetic, and discursive strategies represent the massacre and its era...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
Liverpool :
Liverpool University Press,
2020.
|
| Series: | Contemporary French and francophone cultures ;
73. |
| Subjects: |
MARC
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| 100 | 1 | |a Brozgal, Lia Nicole, |d 1972- |e author. |0 http://id.loc.gov/authorities/names/n2013032614 |1 http://isni.org/isni/0000000409105968. | |
| 245 | 1 | 0 | |a Absent the archive : |b cultural traces of a massacre in Paris, 17 October 1961 / |c Lia Brozgal. |
| 264 | 1 | |a Liverpool : |b Liverpool University Press, |c 2020. | |
| 264 | 4 | |c ©2020. | |
| 300 | |a 1 online resource (xiv, 351 pages) : |b illustrations. | ||
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| 490 | 1 | |a Contemporary French and francophone cultures ; |v [73] | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Figures -- Acknowledgments -- Introduction: The Scene of the Crime, The Crime of the Seen -- 1 Excavating the Anarchive: An Archeology of the Corpus -- 2 Archive Stories: From Politics to Romances -- 3 Non-lieux de mémoire: Maps and Graffiti in the Scriptable City -- 4 The Seine's Exceptional Bodies -- 5 "How Lucky Were the Blond Kabyles": Reading Race in the Anarchive -- 6 The Entangled Stories of October 17, Vichy, the Jews, and the Holocaust -- Epilogue: The Ends of the Anarchive -- Bibliography -- Index. | |
| 520 | |a Absent the Archive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. This corpus, or anarchive, includes a variety of cultural texts whose formal, diegetic, and discursive strategies represent the massacre and its erasure, its ""becoming invisible,"" and its afterlives as a trace, a memory, a sign. | ||
| 588 | |a Description based on online resource; title from PDF title page (JSTOR, viewed on January 11, 2021) | ||
| 650 | 0 | |a French literature |y 20th century |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2008104109. | |
| 650 | 0 | |a Massacres in literature. |0 http://id.loc.gov/authorities/subjects/sh2007006933. | |
| 650 | 0 | |a Conspiracies in literature. |0 http://id.loc.gov/authorities/subjects/sh94003879. | |
| 650 | 7 | |a Conspiracies in literature. |2 fast |0 (OCoLC)fst00875718. | |
| 650 | 7 | |a French literature. |2 fast |0 (OCoLC)fst00934688. | |
| 650 | 7 | |a Massacres in literature. |2 fast |0 (OCoLC)fst01903862. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
| 776 | 0 | 8 | |i Print version: |a Brozgal, Lia Nicole, 1972- |t Absent the archive. |d Liverpool : Liverpool University Press, 2020 |z 9781800348196 |w (OCoLC)1144118860. |
| 830 | 0 | |a Contemporary French and francophone cultures ; |v 73. |0 http://id.loc.gov/authorities/names/no2005049199. | |
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