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|a New visions in performance :
|b the impact of digital technologies /
|c edited by Gavin Carver and Colin Beardon.
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|a Exton, PA :
|b Swets & Zeitlinger Publishers,
|c ©2004.
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|a 1 online resource (1 volume) :
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1 |
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|a Innovations in art and design,
|x 1570-7393.
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| 500 |
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|a Includes index.
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| 505 |
0 |
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|a 1. Introduction / Gavin Carver and Colin Beardon -- 2. The importance of being interactive / Mark Coniglio -- 3. The digital double / Steve Dixon -- 4. The emergence of hyper-reality in performance / Kjell Yngve Petersen -- 5. The technology of the real : Wayne McGregor's Nemesis and the ecology of perception / Jackie Smart -- 6. Halving angels : technology's poem / Jools Gilson-Ellis and Richard Povall -- 7. The performance animation toolbox : developing tools and methods through artistic research / Jorgen Callesen, Marika Kajo, Katrine Nilsen -- 8. Theatre of context : digital's absurd role in dramatic literature / Jeff Burke and Jared Stein -- 9. Haunting the movie : embodied interface/sensory cinema / Toni Dove -- 10. Play it again, Sam : film performance, virtual environments and game engines / Michael Nitsche and Maureen Thomas -- 11. Sorcerers apprentice : reactive digital forms of body and cloth in performance / Jane Harris and Bernard Walsh -- 12. Turning conventional theatre inside out : democratising the audience relationship / Christie Carson -- 13. New visions in performance / Gavin Carver and Colin Beardon.
|
| 504 |
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|a Includes bibliographical references and index.
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| 520 |
1 |
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|a "This book features the work of twelve performers and academics who are involved in the integration of digital technologies into theatrical performance. The chapters are all analytical case studies (some written by the artists themselves) of creative practices which include insights into the very latest developments in the confluence of performance and technology."--Jacket.
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| 650 |
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|a Performing arts.
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|a Performing arts
|x Technological innovations.
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|a Digital control systems.
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|a Carver, Gavin.
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|a Beardon, Colin,
|d 1945-
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|z Full Text (via Taylor & Francis)
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