Popular culture and the state in East and Southeast Asia / edited by Nissim Otmazgin and Eyal Ben-Ari.
"This volume examines the relations between popular culture production and export and the state in East and Southeast Asia including the urban centres and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. It addresses the shift i...
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| Online Access: |
Full Text (via Taylor & Francis) |
|---|---|
| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
Abingdon, Oxon ; New York :
Routledge,
2012.
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| Series: | Asia's transformations ;
35. |
| Subjects: |
Table of Contents:
- List of figures, plates and tables
- Contributors
- Introduction
- 1. Cultural industries and the state in East and Southeast Asia
- PART 1. Popular culture and soft power
- 2. Does popular culture matter to International Relations scholars Possible links and methodological challenges
- 3. Popular culture as a tool for soft power: myth or reality Manga in four European countries
- 4. Delusional desire: soft power and television drama
- PART 2. The processes of policy making.
- 5. Nationalizing "cool": Japan's global promotion of the content industry
- 6. Copyright law as a new industrial policy Japan's attempts to promote its content industry
- 7. Managing the transnational, governing the national: cultural policy and the politics of the "culture archetype project" in South Korea
- PART 3. Cultural policy and the dynamics of censorship
- 8. Post-socialism and cultural policy: the depoliticization of culture in late 1970s' and early 1980s' China
- 9. Banned in China: the vagaries of censorship
- 10. Manipulating historical tensions in East Asian popular culture.
- 11. Silence and protest in Singapore's censorship debatesIndex.