Theatre translation in performance [electronic resource] / edited by Silvia Bigliazzi, Peter Kofler, and Paola Ambrosi.

This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subj...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Other Authors: Bigliazzi, Silvia, 1968-, Kofler, Peter, Ambrosi, Paola
Format: Electronic eBook
Language:English
Published: New York : Routledge, 2013.
Series:Routledge advances in theatre and performance studies ; 29.
Subjects:

MARC

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245 0 0 |a Theatre translation in performance  |h [electronic resource] /  |c edited by Silvia Bigliazzi, Peter Kofler, and Paola Ambrosi. 
260 |a New York :  |b Routledge,  |c 2013. 
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490 1 |a Routledge advances in theatre and performance studies ;  |v 29 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; Theatre Translation in Performance; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction; 1 Transnational, Multilingual, and Post-dramatic: Rethinking the Location of Translation in Contemporary Theatre; 2 Masks, Music Scores, and Hourglasses: Rethinking Performability through Metaphors; 3 Semantics and Syntax in Translating Shakespeare; 4 Verse Translation for the Theatre: A Spanish Example; 5 Performing Intertextuality in Translating Rewrites; 6 From the Peninsula Westward: A Journey among Translations. 
505 8 |a 7 Exploring a Bilingual Aesthetics through Translation in Performance; 8 Beckett, 'Thou Art Translated'; 9 The Pirandellian mise-en-scène and the Vanishing Translation; 10 Translator and Director: At Daggers Drawn?; 11 Dramatic Text / Literary Translation / Staging; 12 Translating for the Audience: Plautus's Captivi by Accademici Intronati (Siena 1530) and Goldoni's Adaptation of Voltaire's L'Écossaise (Venezia 1761); 13 "To act, to do, to perform": Franz Heufeld's and Friedrich Ludwig Schröder's Hamlet-Adaptations for the German Stage. 
505 8 |a 14 "For the Newer Stage" and "For Our Contemporary Emotion": Suggestion and Emotion in Hofmannsthal's Drama Translations; 15 Nogami Toyoichirō's Noh Translation: Theories and the Primacy of Performance; 16 Transforming Shakespeare into a Kabuki Pièce for the Modern Audience: Ninagawa's Twelfth Night; Contributors; Index. 
588 0 |a Online resource; title from digital title page (viewed on Apr. 17, 2013). 
520 |a This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. T. 
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