Reading musical interpretation : case studies in solo piano performance / Julian Hellaby.
Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian He...
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Full Text (via Taylor & Francis) |
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| Format: | eBook |
| Language: | English |
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Milton Park, Abingdon, Oxon ; New York, NY :
Routledge, Taylor & Francis Group,
2016.
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MARC
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| 100 | 1 | |a Hellaby, Julian, |d 1956- |e author. |0 http://id.loc.gov/authorities/names/n2008072317 |1 http://isni.org/isni/0000000081505449. | |
| 245 | 1 | 0 | |a Reading musical interpretation : |b case studies in solo piano performance / |c Julian Hellaby. |
| 264 | 1 | |a Milton Park, Abingdon, Oxon ; |a New York, NY : |b Routledge, Taylor & Francis Group, |c 2016. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 500 | |a Originally published 2009 by Ashgate Publishing. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Part PART I CONSTRUCTING A FRAMEWORK FOR LISTENING -- chapter 1 Writing, Performing and Listening -- chapter 2 Constructing a Framework -- part PART II CASE STUDIES: APPLYING THE FRAMEWORK -- chapter 3 Bach: Toccata in D major BWV 912 -- chapter 4 Messiaen: 'Première communion de la Vierge' -- chapter 5 Brahms: Variations and Fugue on a Theme by Handel Opages 24 -- chapter 6 Conclusion. | |
| 520 | |a Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hierarchically into an 'interpretative tower'. Using this framework to analyse the acoustic evidence of a recording, interpretative elements are identified and used to assess the relationship between a performance and a work. The viability of the interpretative tower is tested in three major case studies. Contrasting recorded performances of solo keyboard works by Bach, Messiaen and Brahms are the focus of these studies, and analysis of the performances, using the tower model, uncovers an interpretative rationale. The book is wide-ranging in scope and holistic in approach, offering a means of enhancing a listener's appreciation of an interpretation. It is richly illustrated with examples taken from commercial recordings and from the author's own recordings of the three focal works. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 15, 2017) | |
| 650 | 0 | |a Piano music |x Interpretation (Phrasing, dynamics, etc.) |0 http://id.loc.gov/authorities/subjects/sh85101788. | |
| 650 | 7 | |a Piano music |x Interpretation (Phrasing, dynamics, etc.) |2 fast |0 (OCoLC)fst01063409. | |
| 776 | 0 | 8 | |i Print version: |z 9780754666677. |
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