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J.C. Bach / edited by Paul Comeilson.

"This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Other Authors: Comeilson, Paul (Editor)
Format: eBook
Language:English
Published: London [England] ; New York, New York : Routledge, 2016.
Series:Late eighteenth-century composers.
Subjects:
Music > Germany > 18th century > History and criticism.
Composers > Biography.
Composers.
Music.
Germany.
1700-1799
Biographies.
Criticism, interpretation, etc.
Table of Contents:
  • Part PART I BIOGRAPHICAL
  • chapter 1 Daniel Heartz (2003), 'Christian Bach in London', in Music in European Capitals: The Galant Style, 1720-1780, New York: W.W. Norton, pp. 883-929.
  • chapter 2 Hans-Joachim Schulze (1983),' When Did the Youngest Bach Son Begin His
  • chapter 3 Howard Brofsky (1977),' J.C. Bach, G.B. Sammartini, and Padre Martini: A Concorso in Milan in 1762', in E.H. Clinkscale and Claire Brook (eds), A Musical Offering: Essays in Honor of Martin Bernstein, New York: Pendragon Press, pp. 63-68.
  • chapter 4 Betty Matthews (1975), 'The Davies Sisters, J.C. Bach and the Glass Harmonica', Music and Letters, 56, pp. 150-69.
  • chapter 5 Stephan Roe (2000), 'The
  • chapter 6 John Small (1985), 'J.C. Bach Goes to Law', The Musical Times, 126, pp. 526-29.
  • chapter 7 Stephen Roe (1985), 'J.C. Bach and
  • chapter 8 Daniel Heartz (2014), 'Abel, Christian Bach, and Gainsborough', in Artists and Musicians: Portrait Studies from the Rococo to the Revolution, Ann Arbor, MI: Steglein, pp. 168-206.
  • part PART II INSTRUMENTAL MUSIC
  • chapter 9 Daniel E. Freeman (2003), 'Johann Christian Bach and the Early Classical Italian Masters', in Robert L. Marshall (edition), Eighteenth-Century Keyboard Music, 2nd edn, New York and London: Routledge, pp. 230-69.
  • chapter 10 Richard Maunder (1991), 'J.C. Bach and the Early Piano in London', Journal of the Royal Musical Association, 116, pp. 201-10.
  • chapter 11 Stanley Sadie (1956), 'The Wind Music of J.C. Bach', Music and Letters, 37, pp. 107-17.
  • chapter 12 Adena Portowitz (2012), 'Johann Christian Bach', in Mary Sue Morrow and Bathia Churgin (eds), The Eighteenth-Century Symphony, Bloomington, IN: Indiana University Press, pp. 662-83.
  • chapter 13 Niels Krabbe (1972), 'J.C. Bach's Symphonies and the Breitkopf Thematic Catalogue', in Niel Schiorring, Henrik Glahn and Carsten E. Hatting (eds), Festskrift Jens Peter Larsen, Copenhagen: Wilhelm Hansen, pp. 233-54.
  • chapter 14 Ann van Allen-Russell (2002), '
  • chapter 15 Jen-yen Chen (2008), 'Johann Christian Bach and the Church Symphony', in Gregory Butler, George B, Stauffer and Mary Dalton Greer (eds), About Bach, Urbana, IL: University of Illinois Press, pp. 89-108.
  • chapter 16 Jane R. Stevens (2001), 'Johann Christian Bach (1735-82)', in The Bach Family and the Keyboard Concerto: The Evolution of a Genre, Warren, MI: Harmonie Park Press, pp. 169-211.
  • chapter 17 Bryan Gillingham (1981), 'Social and Musical Matters Pertaining to J.C. Bach's Third Set of Keyboard Concertos', The Music Review, 42, pp. 225-37.
  • part PART III VOCAL MUSIC
  • chapter 18 Stephen Roe (2002), 'The Newly Rediscovered Autograph Manuscripts of Johann Christian Bach's Milan Sacred Music at the Staats- und Universitatsbibliothek Hamburg (ND VI 540, Vols. 1-4)'. Originally published as 'Wiederaufgefundene Autographe von Johann Christian Bachs Mailander Kirchenmusik in der Staats-und Universitatsbibliothek Hamburg (ND VI 540, Band 1-4)', Bach-Jahrbuch, pp. 179-90.
  • chapter 19 Kenneth Nott (1999), 'J.C. Bach's Gioas, re di Giuda: A Meeting of Metastasian and Handelian Traditions', Handel-Jahrbuch, 45, pp. 117-34.
  • chapter 20 Ernest Warburton (1965-66), 'J.C. Bach's Operas', Proceedings of the Royal Musical Association, 92, pp. 95-106.
  • chapter 21 Margaret R. Butler (2015), 'The Misadventures of Artaserse (Turin, 1760): J.C. Bach's First Italian Opera from Production to Performance', in Bruno Forment (edition), Revaluing Theatrical Heritage: Selected Papers from Kortrijk, Belgium, January 2013, Leuven: Leuven University Press, pp. 89-104.
  • chapter 22 Martha Feldman (1991), 'Mozart and His Elders: Opera-Seria Arias, 1766-1775', Mozart-Jahrbuch, pp. 564-75.
  • chapter 23 Stefan Kunze (1965), 'Die Vertonungen der Arie
  • chapter 24 Stephen Roe (1985), 'Introduction' to Johann Christian Bach: Favourite Songs Sung at Vauxhall Gardens (Music for London Entertainment, 1600-1800: Music of the Pleasure Gardens), Tunbridge Wells: Macnutt, pp. xvii-xxi.
  • chapter 25 Ernest Warburton (1985), 'Lucio Silla, by Mozart and J.C. Bach', The Musical Times, 126, pp. 726-30.
  • chapter 26 Paul Corneilson (1994), 'The Case of J.C. Bach's Lucio Silla', Journal of Musicology, 12, pp. 206-18.
  • chapter 27 Ernest Warburton (1972), 'J.C. Bach's
  • chapter 28 Virginia Palmer (1982), 'The Application of the Sonata Principle to Structure in La clemenza di Scipione by J.C. Bach', Indiana Theory Review, 6, pp. 36-62.

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