Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock) / edited by Brian Inglis and Barry Smith.
Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete...
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Full Text (via Taylor & Francis) |
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
London :
Routledge,
2020.
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock) / |c edited by Brian Inglis and Barry Smith. |
| 264 | 1 | |a London : |b Routledge, |c 2020. | |
| 300 | |a 1 online resource. | ||
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| 505 | 0 | |a Foreword by Judith Weir -- Introduction -- Part I: Letters and documents 1913-1914 -- Part II: Letters and documents 1914-1917 -- Part III: Letters and documents 1920-1922/1929 -- Appendix 1: Philip Heseltine's 'Some Reflections on Modern Music Criticism' 1913 -- Appendix 2: Kaikhosru Sorabji's 'Sexual Inversion' 1921 -- Appendix 3: Heseltine's writings on Sorabji : a Sorabji and the 'mind's ear' 1923 -- Dictionary entry -- Appendix 4: Sorabji's obituary for Philip Heseltine 1931 -- Bibliography. | |
| 520 | |a Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete scholarly edition for the first time. The volume also provides a new contextual, critical and interpretative framework, incorporating a myriad of perspectives: identities, social geographies, style construction, and mutual interests and influences. Pertinent period documents, including evidence of Heseltine's reactions, enhance the sense of narrative and expand on aesthetic discussions. Through the letters' entertaining and perceptive lens, Sorabji's early life and compositions are vividly illuminated and Heseltine's own intriguing life and work recontextualised. What emerges takes us beyond tropes of otherness and eccentricity to reveal a persona and a narrative with great relevance to modern-day debates on canonicity and identity, especially the nexus of ethnicity, queer identities and Western art music. Scholars, performers and admirers of early twentieth-century music in Britain, and beyond, will find this a valuable addition to the literature. The book will appeal to those studying or interested in early musical modernism and its reception; cultural life in London around and after the First World War; music, nationality and race; Commonwealth studies; and music and sexuality. | ||
| 545 | 0 | |a Brian Inglis is Senior Lecturer in Music and BA Music Programme Leader, Department of Performing Arts, Middlesex University UK. Barry Smith is a former Organist and Master of the Choristers at St George's Cathedral Cape Town and Associate Professor in the Faculty of Music at Cape Town University. He is President of the Peter Warlock Society. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed June 10, 2019) | |
| 600 | 1 | 0 | |a Sorabji, Kaikhosru Shapurji, |d 1892-1988 |v Correspondence. |
| 600 | 1 | 0 | |a Warlock, Peter, |d 1894-1930 |v Correspondence. |
| 600 | 1 | 7 | |a Sorabji, Kaikhosru Shapurji, |d 1892-1988. |2 fast |0 (OCoLC)fst00068214. |
| 600 | 1 | 7 | |a Warlock, Peter, |d 1894-1930. |2 fast |0 (OCoLC)fst00013041. |
| 655 | 7 | |a Personal correspondence. |2 fast |0 (OCoLC)fst01919948. | |
| 700 | 1 | |a Inglis, Brian, |d 1969- |e editor. |0 http://id.loc.gov/authorities/names/nb2016002990 |1 http://isni.org/isni/0000000454396717. | |
| 700 | 1 | |a Smith, Barry, |d 1939- |e editor. |0 http://id.loc.gov/authorities/names/n89620918 |1 http://isni.org/isni/0000000084007568. | |
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