Women and Romanticism, 1790-1830. Volume 5 / edited by Roxanne Eberle.
First published in 2006. Women and Romanticism's fifth volume covers The Golden Violet, with its Tales of Romance and Chivalry: and Other Poems. The collection reproduces work by Letitia Landon and thus addresses yet another gap in current accounts of women and Romanticism. Although Landon is n...
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| Online Access: |
Full Text (via Taylor & Francis) |
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| Format: | eBook |
| Language: | English |
| Published: |
London :
Routledge,
2020.
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| Edition: | First edition. |
| Subjects: |
| Summary: | First published in 2006. Women and Romanticism's fifth volume covers The Golden Violet, with its Tales of Romance and Chivalry: and Other Poems. The collection reproduces work by Letitia Landon and thus addresses yet another gap in current accounts of women and Romanticism. Although Landon is now readily acknowledged as a significant author of the period, it is also the case that critical examinations of her life and work have tended to reinforce her own carefully crafted image as a poetess. Until the 1980s, a five-volume collection of materials on 'Women and Romanticism' would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen. First published in 2006. Women and Romanticism's fourth volume covers The Only Child; or Portia Bellenden. Amelia Alderson Opie, the author of Portia Bellenden; or, the Only Child, the novel that comprises the fourth volume of this collection, was born in 1769, making her ten years younger than Mary Wollstonecraft and twenty-eight years older than Mary Shelley; however, Opie outlived both mother and daughter. She died in 1853 at the age of 84, two years after her final trip to London and a visit to one of Victorian London's grandest achievements, the Great Exhibition. Until the 1980s, a five-volume collection of materials on 'Women and Romanticism' would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen. |
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| Physical Description: | 1 online resource (372 pages) |
| ISBN: | 9780429349416 0429349416 9781000741308 1000741303 9781000747683 1000747689 9781000744491 1000744493 |
| Source of Description, Etc. Note: | Vendor-supplied metadata. |
| Biographical or Historical Data: | Edited by Roxanne Eberle, University of Georgia Research Center. |