Concepts of time in post-war European music / Aaron Hayes.
Concepts of Time in Post-War European Music gives a historical and philosophical account of the discussions of the nature of time and music during the mid-twentieth century. The nature of time was a persistent topic among composers in Paris and Darmstadt in the decades after World War II, one which...
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Full Text (via Taylor & Francis) |
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| Format: | eBook |
| Language: | English |
| Published: |
Abingdon, Oxon ; New York, NY :
Routledge,
2021.
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| Series: | Ashgate studies in theory and analysis of music after 1900.
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| Subjects: |
Table of Contents:
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- 1 Introduction
- 2 Analysis: Anton Webern, Concerto Op. 24, m. 38-40
- 3 Duration and Eternity: Messiaen's Time Categories
- 4 Analysis: Olivier Messiaen, 'Ile de Feu I' from Quatre Études de rythme
- 5 Continuity: Boulez's Smooth Time and Its Mathematical Negotiations
- 6 Analysis: Pierre Boulez, Improvisations Sur Mallarmé II-'Une Dentelle s'abolit'
- 7 The Unity of Time: Stockhausen's Engagement with Acoustics
- 8 Analysis: Karlheinz Stockhausen, Zeitmaße.
- 9 Trauma: Goeyvaerts and Adorno on Musical Stasis
- 10 Analysis: Karel Goeyvaerts, Sonata for Two Pianos, Movements II-III
- 11 Spacetime: Xenakis and the End of the Discourse on Musical Time
- 12 Analysis: Iannis Xenakis, Nomos Alpha
- Bibliography
- Index.