|
|
|
|
| LEADER |
00000cam a2200000Mu 4500 |
| 001 |
b11751195 |
| 006 |
m o d |
| 007 |
cr ||||||||||| |
| 008 |
201031s2020 xx o ||| 0 eng d |
| 005 |
20240529224918.4 |
| 019 |
|
|
|a 1201656142
|a 1203952944
|
| 020 |
|
|
|a 9781000260854
|
| 020 |
|
|
|a 1000260852
|
| 020 |
|
|
|a 1000260879
|
| 020 |
|
|
|a 9781000260861
|q (Mobipocket ebook)
|
| 020 |
|
|
|a 1000260860
|
| 020 |
|
|
|a 9780429274015
|q (ebook)
|
| 020 |
|
|
|a 0429274017
|
| 020 |
|
|
|a 9781000260878
|q (electronic bk.)
|
| 020 |
|
|
|z 036722240X
|
| 020 |
|
|
|z 9780367222406
|
| 024 |
8 |
|
|a 10.4324/9780429274015
|
| 035 |
|
|
|a (OCoLC)ebc1202465276
|
| 035 |
|
|
|a (OCoLC)1202465276
|z (OCoLC)1201656142
|z (OCoLC)1203952944
|
| 037 |
|
|
|a ebc6376061
|
| 040 |
|
|
|a EBLCP
|b eng
|c EBLCP
|d YDX
|d UKAHL
|d UKMGB
|d OCLCO
|d OCLCF
|d EBLCP
|d N$T
|d MRB
|d OCLCO
|
| 049 |
|
|
|a GWRE
|
| 050 |
|
4 |
|a ML3830
|
| 100 |
1 |
|
|a Reybrouck, Mark.
|
| 245 |
1 |
0 |
|a Musical Sense-Making :
|b Enaction, Experience, and Computation.
|
| 260 |
|
|
|a Milton :
|b Taylor & Francis Group,
|c 2020.
|
| 300 |
|
|
|a 1 online resource (237 p.)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent.
|
| 336 |
|
|
|a still image
|2 rdacontent.
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia.
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier.
|
| 490 |
1 |
|
|a SEMPRE Studies in the Psychology of Music.
|
| 500 |
|
|
|a Description based upon print version of record.
|
| 505 |
0 |
|
|a Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of illustrations -- Series editor's preface -- Foreword -- 1. Introduction -- 2. Musical sense-making: enaction, experience, and computation -- 2.1. The hard problem of consciousness: bridging the explanatory gap? -- 2.2. Phenomenology and first-person experience -- 2.3. Phenomenology and the concept of lived experience -- 3. Sense-making and the enactive approach -- 3.1. Sense-making and meaning -- 3.2. Sense-making and enaction -- 3.3. Enactive sense-making in music and the 4E approach.
|
| 505 |
8 |
|
|a 4. Musical meaning: representational-computational versus dynamic-experiential approach -- 4.1. Musical meaning and the internal/external dichotomy -- 4.2. The propositional approach: subject and predicate -- 4.3. The digital-discrete versus the analog-continuous approach -- 4.4. The quantal aspect of sense-making: event perception and the principle of cognitive economy -- 4.5. The acoustic and vehicle mode of sound perception -- 4.6. An experiential and dynamic approach: the "in time"/ "outside of time" dichotomy -- 5. Experience and interaction: ecological, cybernetic, and embodied claims.
|
| 505 |
8 |
|
|a 5.1. The concept of experience -- 5.2. The concept of interaction: ecological and cybernetic claims -- 5.3 Interactions and the enactive approach -- 5.4. Embodied and enactive cognition: action and perception -- 6. From interaction to sense-making -- 6.1. The organismic-developmental approach: from fusion to differentiation -- 6.2. Pointing and predication: deixis and the indexical approach -- 6.3. From sensorimotor interactions to internalized enaction and motor categorization -- 6.4. Externalization of felt experience and the gestural analogy -- 6.5. Emotion as embodied consciousness.
|
| 505 |
8 |
|
|a 7. Music and the extended computational approach -- 7.1. Preliminaries: representational semantics -- 7.2. From computation to extended computation -- 7.3. Representation and computation -- 7.4. Computation and embodied dynamicism -- 7.5. Computation and embodied empiricism -- 8. Perspectives and future epistemology: social cognition, dynamical systems theory, and neurophenomenology -- 8.1. Social cognition and participatory sense-making -- 8.2. Dynamical systems and neurophenomenology -- 8.3. Neurophenomenology and scientific/experimental research.
|
| 505 |
8 |
|
|a 8.4. Music and the dynamic approach: future epistemologies -- References -- Index.
|
| 650 |
|
0 |
|a Music
|x Psychological aspects.
|
| 650 |
|
0 |
|a Music
|x Philosoophy and aesthetics.
|
| 650 |
|
0 |
|a Musical perception.
|
| 650 |
|
7 |
|a Music
|x Psychological aspects.
|2 fast
|0 (OCoLC)fst01030418.
|
| 650 |
|
7 |
|a Musical perception.
|2 fast
|0 (OCoLC)fst01030788.
|
| 776 |
0 |
8 |
|i Print version:
|a Reybrouck, Mark
|t Musical Sense-Making : Enaction, Experience, and Computation
|d Milton : Taylor & Francis Group,c2020
|z 9780367222406.
|
| 830 |
|
0 |
|a SEMPRE studies in the psychology of music.
|
| 856 |
4 |
0 |
|u http://ebookcentral.proquest.com/lib/ucb/detail.action?docID=6376061
|z Full Text (via ProQuest)
|
| 907 |
|
|
|a .b11751195x
|b 03-09-21
|c 03-09-21
|
| 915 |
|
|
|a M
|
| 948 |
|
|
|a May 2024 ebook central cleanup, msw.
|
| 956 |
|
|
|a Ebook Central
|
| 956 |
|
|
|b Ebook Central Perpetual Titles
|
| 998 |
|
|
|a web
|b - -
|c f
|d b
|e -
|f eng
|g xx
|h 0
|i 1
|
| 999 |
f |
f |
|i 16a7a891-becd-518f-a191-757b63c7e0d1
|s a397ee3a-2ad8-5636-897e-73b4b39b6dd7
|
| 952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Online
|c Online
|d Online
|e ML3830
|h Library of Congress classification
|i web
|n 1
|
