After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo ; foreword by Tamar Jeffers McDonald.

In defiance of the alleged death of romantic comedy, 'After'Happily Ever After': Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistic...

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Bibliographic Details
Online Access: Full Text (via ProQuest)
Other Authors: San Filippo, Maria (Editor), Alberti, John, Alsop, Elizabeth, Cunliffe, Tom, Guilluy, Alice, Harrod, Mary, D'Harcourt, Ash Kinney, McDonald, Tamar Jeffers (writer of forward.), Jermyn, Deborah, Kaklamanidou, Betty
Format: eBook
Language:English
Published: Detroit, Michigan : Wayne State University Press, [2021]
Series:Contemporary approaches to film and media series.
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Table of Contents:
  • Cover Page
  • Title Page
  • Copyright Page
  • Contents
  • Foreword: Romantic Comedy Today: Making Progress Always or Only Maybe?
  • Introduction: Love Actually: Romantic Comedy since the Aughts
  • Act 1. What's New Is Old: Regenerating Romcom
  • 1. We Found Love in a Hopeless Place: Romantic Comedy in the Post-Romantic Age
  • 2. Comedy and Melodrama from Sunrise to Midnight: Genre and Gender in Richard Linklater's Before Series
  • 3. From Jane to Mindy: The Politics of Narrative Control in the Contemporary Romantic Comedy
  • 4. "Third-Act Romances" in Contemporary American Film and Television
  • 5. Queer Romance in Take My Wife: How the Television Rom-Sitcom Gives New Life to the Genre
  • Act 2. Love in a Time of Precarity: Romcom Realism
  • 6. In Love and Up in Smoke: Harold & Kumar and the Romantic Turn of the Post-9/11 Stoner Comedy
  • 7. Romance as Business in the Capitalist Metropolis: Johnnie To's Don't Go Breaking My Heart 1 and 2
  • 8. Obvious Child, Bookshops, and Postcrisis Romcom Urbanism
  • 9. Connecting with Strangers: Cosmopolitanism, Romance, and Hospitality in Transnational Romantic Comedy
  • 10. "Money Can't Buy Me Love": Radical Right-Wing Populism in French Romantic Comedies of the 2010s
  • Act 3. Reimagining "Happily Ever After"
  • 11. The Radical Middle: Jane the Virgin, Crazy Ex-Girlfriend, and the Subversive Potential of the Television Post-Romcom
  • 12. The Awkward Truth: Fractured Romance and the Art of Decoupling in the Films of Hong Sang-soo
  • 13. Addicted to Love: The Productive Pathology of the Romantic Comedy in the Netflix Series Love
  • 14. Breaking Upwards: The Creative Uncoupling of Desiree Akhavan and Ingrid Jungermann
  • 15. "I fantasize sometimes about being alone ... being in a quiet room, by myself, with no one touching me": "Wrong-coms" and the End of Marriage in Contemporary Romantic Comedy.