The Cambridge history of music criticism / edited by Christopher Dingle.
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these b...
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Online Access: |
Full Text (via Cambridge Core) |
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Other Authors: | |
Format: | eBook |
Language: | English |
Published: |
Cambridge, United Kingdom :
Cambridge University Press,
2019.
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Series: | Cambridge history of music.
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Subjects: |
Summary: | Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.-- |
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Physical Description: | 1 online resource (xvi, 826 pages) : illustrations. |
Bibliography: | Includes bibliographical references and index. |
ISBN: | 9781139795425 1139795422 9781108730549 110873054X |
DOI: | 10.1017/9781139795425 |
Source of Description, Etc. Note: | Source of description: Online resource; title from PDF title page (Cambridge, viewed October 28, 2019) |
Host Item Entry: | Cambridge Histories Online. Cambridge University Press. |