Getting on. Series 3, Episode 2 / produced by Geoff Atkinson ; directed by Sue Tully.
The Bafta-award winning Getting On returns for more dark humour among the bedpans; set in the backwaters of the National Health Service this third series sees King Edwards closed and Den, Kim and Dr Moore transferred 12 miles to a newer ward. Cuts, re-structuring and life events once again dominate...
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| Online Access: |
Streaming Video (via Alexander Street Press) |
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| Other Authors: | , , , , , |
| Format: | Video |
| Language: | English |
| Published: |
London, England :
BBC Worldwide,
2012.
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| Subjects: |
| Summary: | The Bafta-award winning Getting On returns for more dark humour among the bedpans; set in the backwaters of the National Health Service this third series sees King Edwards closed and Den, Kim and Dr Moore transferred 12 miles to a newer ward. Cuts, re-structuring and life events once again dominate the daily grind. Devised and written by its three principal cast, the real challenge lies in just getting on with life in a world where few things work smoothly and messy choices are the order of the day. Over six shifts we watch as the staff cope with mounting bureaucracy and shine a light on the everyday. Series 3, Episode 2, Another shift, another shuttle bus to miss. The appearance of Dr Kersley and his commissioning consortia plans hints at the changes ahead for K2. Den enjoys her new-found treats, nice Damaris has her feet firmly under the desk, Kim makes a bold career move and Pippa deals with a pressing legal issue. Vag-At research under way, Dr Moore has plenty to take her mind off marital disharmony until a nasty online surprise brings her crashing back down to ground. But it's her cafetiere, brought in from home, that steals the show courtesy of Doris and a mix-up with the dementia care assistant. |
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| Item Description: | Title from resource description page (viewed May 1, 2021) |
| Physical Description: | 1 online resource (30 minutes) |
| Playing Time: | 00:29:13 |
| Language: | In English. |
| Terms Governing Use and Reproduction Note: | Public performance rights obtained |