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Music - Media - History : Re-Thinking Musicology in an Age of Digital Media / Matej Santi, Elias Berner.

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Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to cha...

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Bibliographic Details
Online Access: Full Text (via EBSCO)
Other Authors: Berner, Elias (Editor), Birgit, Haberpeuntner (Contributor), Christian, Schwarzenegger (Contributor), Cornelia, Szabó-Knotik (Contributor), David M., Weigl (Contributor), Derek B., Scott (Contributor), Elias, Berner (Contributor), Emile, Wennekes (Contributor), Franziska, Diehr (Contributor), Hanns-Werner, Heister (Contributor), Johann, Lurf (Contributor), John, Corner (Contributor), Julia, Jaklin (Contributor), Klaus, Illmayer (Contributor), Matej, Santi (Contributor), Rasmus, Greiner (Contributor), Santi, Matej, 1980- (Editor), Werner, Goebl (Contributor), Winfried, Pauleit (Contributor)
Format: eBook
Language:English
Published: Bielefeld : Transcript-Verlag, [2021]
Series:Musik und Klangkultur ; v. 44.
Subjects:
Music > Historiography > Congresses.
Audio-visual materials > Historiography > Congresses.
Musicology > Methodology > Congresses.
Motion pictures and music > Congresses.
Television and music > Congresses.
Social sciences.
Table of Contents:
  • Frontmatter
  • Contents
  • Editor's Note
  • An Introduction
  • "Living in a Material World," Contemplating the Immaterial One--Musings on What Sounds Can Actually Tell Us, or Not
  • The (Re)Construction of Communicative Pasts in the Digital Age
  • The Narratological Architecture of Musical lieux de mémoire
  • Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual
  • Women's Voices in Radio
  • 'Real Sound, ' Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality
  • Sonic Icons in A Song Is Born (1948): A Model for an Audio History of Film
  • The Production, Reception and Cultural Transfer of Operetta on Early Sound Film
  • The Address of the Ear: Music and History in Waltz with Bashir
  • "I've never understood the passion for Schubert's sentimental Viennese shit"--Using Metadata to Capture the Contexts of Film Music
  • Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge's Televisual Corpus
  • Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation
  • Playing with a Web of Music: Connecting and Enriching Online Music Repositories
  • A Few Notes on the Auditive Layer of the Film
  • Afterword
  • List of Contributors.

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