Popular cinemas in East Central Europe : film cultures and histories / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga.
The continued interest in the social and cultural life of the former Warsaw pact countries - looking at but also beyond their socialist pasts - encompasses a desire to know more about their national cinemas. Yet, despite the increasing consumption of films from these countries - via DVD, VOD platfor...
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| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Other Authors: | , , |
| Format: | eBook |
| Language: | English |
| Published: |
London :
I.B. Tauris & Co. Ltd,
2017.
|
| Series: | International library of the moving image ;
40. |
| Subjects: |
MARC
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| 050 | 4 | |a PN1993.5.C28 | |
| 245 | 0 | 0 | |a Popular cinemas in East Central Europe : |b film cultures and histories / |c edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga. |
| 264 | 1 | |a London : |b I.B. Tauris & Co. Ltd, |c 2017. | |
| 264 | 4 | |c ©2017. | |
| 300 | |a 1 online resource : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 490 | 1 | |a International library of the moving image ; |v 40. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Author bio; Endorsement; Title page; Copyright information; Table of contents; Figures; Graphs; Tables; List of contributors; Acknowledgements; A Note on Naming Conventions; Introduction; Part I Politics of Popular Cinema in the Interwar Period; 1 Czech Historical Film and Historical Traditions; Historical Narratives Shaping The Merry Wives; The Merry Wives: A Comedy Taking a Political Stance; Conclusion; Notes; 2 Starlets and Heart-throbs; Glamour Comedies and the Rise of the Male Stars; Turning Toward Melodrama: The Film Industry From 1936 Onwards; Conclusion; Notes. | |
| 505 | 8 | |a Part II Towards Socialism: Continuities and Ruptures3 The Stripping of His Charms; The Star Lead; The Transformed Lead; The Resisting Lead; Conclusion; Notes; 4 Transformations; From the Commercial Film Industry to the State-Owned Cinema Culture; Hungarian Cinema for the Millions; From Socialist Realist Operettas to Satirical Comedies; Crime Cinema During Socialism: Mission Impossible?; From the Precursors of the Present to Historical Adventure; Conclusion; Notes; 5 Postwar Czechoslovak Comedy The Autonomisation of Parody, and Lemonade Joe (1964) | |
| 505 | 8 | |a Comedy in the Political History of Czechoslovak CinemaIndustrial Authorship and Group Styles in the State-Socialist Production System; Lemonade Joe: Paradoxical Historicity of Czech Film Parody; Autonomisation of Parody; Conclusion; Notes; Part III Socialist Film Cultures; 6 How To Be Loved? Three Takes on 'The Popular' in Socialist and Non-Socialist Cinema; 'Serious', 'Unserious', 'Art Cinema' and the 'Epic'; Kitsch and Realism; Notes; 7 'Humanist Screens': Foreign Cinema in Socialist Poland (1945-56); Humanist Screens and Mass Audiences; 1949: When Films Were Not Socialist Realist Enough. | |
| 505 | 8 | |a 1951: Cinema Should Educate Rather Than Entertain1955: Genre Isn't So Bad After All; The General Public: Humanist Screens' Spectators; Conclusion; Notes; 8 Poland's Wild West and East; Lonely Heroes, Settlers and Gunslingers: How The Polish West Was Won; Defending the East: Soldiers and Rezuny; Conclusion; Notes; 9 Film in Full Gallop; Notes; 10 The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes ... ; Popularity With Two National Audiences; Children's Films at Barrandov and DEFA: A Temporary Reconciliation of Production Concepts. | |
| 505 | 8 | |a Cinderella, a Transnational CharacterConclusion; Acknowledgement; 11 The Paradox of Popularity; Introduction; Popular Film and the Politics of Power; Popular Film and the Politics of Auteurs; After 1968; The Case of the Crime Movie; The vulture; Conclusion; Notes; Part IV Out of Socialism: Co-habiting Models of Popular Cinema; 12 Popular Nostalgia; Notes; 13 The Power of Love; Heritage cinema: the (un)certainties of the past; Melodrama: Historical Trauma as an Affect; Romantic Comedy: Modernity Domesticated; Conclusion; 14 When Walls Fall; Notes. | |
| 520 | |a The continued interest in the social and cultural life of the former Warsaw pact countries - looking at but also beyond their socialist pasts - encompasses a desire to know more about their national cinemas. Yet, despite the increasing consumption of films from these countries - via DVD, VOD platforms and other alternative channels - there is a lack of comprehensive information on this key aspect of visual culture. This important book rectifies the glaring gap and provides both a history and a contemporary account of East Central European cinema in the pre-WW2, socialist, and post-socialist pe. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 11, 2017) | |
| 650 | 0 | |a Motion pictures |z Europe, Central |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |z Europe, Eastern |x History |y 20th century. | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285. | |
| 651 | 7 | |a Central Europe. |2 fast |0 (OCoLC)fst01244544. | |
| 651 | 7 | |a Eastern Europe. |2 fast |0 (OCoLC)fst01245079. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628. | |
| 700 | 1 | |a Pitassio, Francesco. | |
| 700 | 1 | |a Varga, Zsuzsanna. | |
| 700 | 1 | |a Ostrowska, Dorota, |d 1973- |e editor. | |
| 700 | 1 | |a Pitassio, Francesco, |e editor. | |
| 700 | 1 | |a Varga, Zsuzsanna, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Popular cinemas in East Central Europe. |d London : I.B. Tauris & Co. Ltd, 2017 |z 1784533971 |z 9781784533977 |w (OCoLC)963344504. |
| 830 | 0 | |a International library of the moving image ; |v 40. | |
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