Embodied music cognition and mediation technology [electronic resource] / Marc Leman.
Saved in:
| Online Access: |
Full Text (via MIT Press) |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge, Mass. :
MIT Press,
©2008.
©2008. |
| Subjects: |
MARC
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| 100 | 1 | |a Leman, Marc, |d 1958- |0 http://id.loc.gov/authorities/names/n95060329 |1 http://isni.org/isni/0000000383973731. | |
| 245 | 1 | 0 | |a Embodied music cognition and mediation technology |h [electronic resource] / |c Marc Leman. |
| 260 | |a Cambridge, Mass. : |b MIT Press, |c ©2008. | ||
| 264 | 4 | |c ©2008. | |
| 300 | |a 1 online resource (xv, 297 pages) : |b illustrations, music. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
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| 504 | |a Includes bibliographical references (pages 251-277) and indexes. | ||
| 505 | 0 | |a Musical experience and signification -- Paradigms of music research -- Ecological conceptions -- Corporeal articulations and intentionality -- Corporeal articulations and imitation -- Interaction with musical instruments -- Search for and retrieval of music. | |
| 520 | 1 | |a "Digital media handle music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience (mind) and sound energy (matter), Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level - engaging experiences, values, and intentions and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology."--Jacket. | |
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Music |x Psychological aspects. |0 http://id.loc.gov/authorities/subjects/sh85088812. | |
| 650 | 0 | |a Music |x Physiological aspects. |0 http://id.loc.gov/authorities/subjects/sh85088809. | |
| 650 | 0 | |a Musical perception. |0 http://id.loc.gov/authorities/subjects/sh94003817. | |
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| 650 | 7 | |a Music |x Psychological aspects. |2 fast |0 (OCoLC)fst01030418. | |
| 650 | 7 | |a Musical perception. |2 fast |0 (OCoLC)fst01030788. | |
| 776 | 0 | 8 | |i Print version: |a Leman, Marc, 1958- |t Embodied music cognition and mediation technology. |d Cambridge, Mass. : MIT Press, ©2008 |z 9780262122931 |w (DLC) 2006035169 |w (OCoLC)74915535. |
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