Violated frames : Armando Bó and Isabel Sarli's sexploits / Victoria Ruétalo ; foreword by Annie Sprinkle.
"When Armando Bó and Isabel Sarli began making sexploitation films together in 1956, they provoked audiences by featuring explicit nudity that would increasingly become more audacious, constantly challenging contemporary norms. Their Argentine films developed a large and international fan base....
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Full Text (via ProQuest) |
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| Format: | eBook |
| Language: | English |
| Published: |
Oakland, California :
University of California Press,
[2022]
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| Series: | Feminist media histories (Series) ;
2. |
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Table of Contents:
- Introduction : the signature of a 'bad' cinema
- Bodies through time...time through bodies
- Reading 'bad' cinema through 'bad' archives
- Disciplining bodies through censors' shears
- Outsiders, working-class bodies, and connection
- Affective intimate interludes : the risky female body
- Conclusion : "You won with the censors...they couldn't stop you!"