Robert Heinecken and the art of appropriation / Matthew Biro.
"From the 1960s through the late 1990s, Robert Heinecken's controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture's relationship to gender and identity politics. Author Matthew Biro presents an exhaustive look at Hei...
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Full Text (via ProQuest) |
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| Format: | eBook |
| Language: | English |
| Published: |
Minneapolis :
University of Minnesota Press,
[2022]
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| Subjects: |
Table of Contents:
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Contents
- Introduction: Art, Photography, and the Consumption of Identity
- Chapter 1. Artist and Educator: Criticizing the American Family Ideal through 35mm Photography
- Chapter 2. Documents of Manufactured Experience: Appropriation and the Photogram in the 1960s
- Chapter 3. The Photographic Object: Heinecken's Materialism
- Chapter 4. Magazine Work: American Disaster and Identity
- Chapter 5. Art, Pornography, Painting: Heinecken's Relationship to Feminism.
- Chapter 6. The Polaroid Experience: Instantaneous Photography and the Performance of Identity
- Chapter 7. Surrealism on TV: Ronald Reagan and the Newscasters
- Chapter 8. Appropriation in the 1980s and 1990s: History and the Body at the End of the Analog Era
- Coda: Heinecken's Significance
- Acknowledgments
- Notes
- Index
- About the Author.