Reverse design : a current scientific vision from the international fashion and design congress / edited by Ana Cristina Broega, Joana Cunha, Helder Carvalho, Manuel Blanco, Guillermo García-Badell & Diana Lucía Goméz-Chacón.
The collaboration between the Textile Department of the University of Minho and the Brazilian Association of Studies and Research (ABEPEM) has led to an international platform for the exchange of research in the field of Fashion and Design: CIMODE. This platform is designed as a biennial congress th...
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| Language: | English |
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Boca Raton, FL :
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2019.
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| 111 | 2 | |a International Fashion and Design Congress |n (4th : |d 2018 : |c Madrid, Spain), |j creator. | |
| 245 | 1 | 0 | |a Reverse design : |b a current scientific vision from the international fashion and design congress / |c edited by Ana Cristina Broega, Joana Cunha, Helder Carvalho, Manuel Blanco, Guillermo García-Badell & Diana Lucía Goméz-Chacón. |
| 264 | 1 | |a Boca Raton, FL : |b CRC Press, |c 2019. | |
| 300 | |a 1 online resource : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 500 | |a "A Balkema Book." | ||
| 500 | |a "Proceedings of The 4th International Fashion and Design Congress (CIMODE 2018), 21-23 May 2018, Madrid, Spain." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t -- Fashion and communication -- |t Performative runway in backstage liquidity -- A. Rabdan and I. Bentz -- |t From hair to cultivated leatherthe use of Alexander McQueens genetic information -- B.F. Pires and R.P. Cidreira -- |t The relevance of sketches in fashion design -- A. Moreira da Silva -- |t Digital banners as shop windows: Narrative constructions of online fashion brands -- D.V. Leal, D. Karam Jr. and M.C.P. Rodrigues -- |t The influence of soap operas in Brazilian fashion today -- T.C. Viana, A.A. Silva, A. Adverse, R. Ribeiro and A. Horta -- |t The world and the fashion al revs in Antnio Variaes -- M. Amaro -- |t Facets of youth culture: Discursive construction of Ahlma fashion brand -- B. Machado and M. Scoz -- |t Fashion films: A semiotics approach, a multimodal signification -- R. Effe -- |t The importance of language on the social medias of a brand -- M.H. de Carvalho and F.A.H. de Carvalho -- |t The effects of sense contained in the fashion advertising text: The Handred brand and the reiteration of genderless concept -- S.F. Bona and M. Scoz -- |t Analysis of attributes in unisex and genderless clothing -- B.M. Reis, R. Miguel, N.A. Jernimo, M. Pereira and S. Azevedo -- |t Embroidery: The narrative of the ribbon of the presentation of Arthur Bispo do Rosrioconfluences with contemporary visual artists -- L.U. Dantas, U.S.T. Barbosa, G.M.J. Sales, H.A. Dieb and R.R. Marques -- |t Eye tracking in fashion: An overview -- A.P. Faria, B. Providncia and J. Cunha -- |t -- |t Fashion, identities and cultures -- |t Semiology: Culture as a symbol system and western influences comparison before and after the independence of 1947 -- L. Vignes -- |t A geography of fashion, Medelln: 19001950 -- W. Cruz Bermeo -- |t The Prt -- porter phenomenon and the boutiques in the dowtown area of Santiago, Chile -- J. Vidal Miranda and P. lvarez Caselli -- |t Internationalism and exoticism in the image of Aline Romanones and Consuelo Crespi -- D. Gennaioli -- |t Reframing old age through design: An approach to promote empowerment -- I. Rojas and B. Pino -- |t Dolce and Gabbana and Louis Vuitton: A study on the effect of gender stereotyping in the 21st century fashion campaigns -- L. Watson -- |t Fashion, identity and culture in the Chinese fashion system. China, inspiration for Chinese fashion designers -- R. Gaddi -- |t The pleasurable dressing of Loewe: From the store of Martnez-Feduchi to the showroom of Carvajal -- A. Cano Redondo and A. Martnez-Medina -- |t Signifying the ritual legends of Brazilian Afro Religions: Candombl and Umbanda in Teresina/Piau/Brazil -- L.C. de M. Tavares and V.P. de S. Arajo -- |t Globalized brazilianness on the forming way of Elementais -- G.R.R. Vieira -- |t Class tourism, working-class porn and cultural appropriation in fashion: An introduction -- M. Glck -- |t Affection sewn into hats: Identity, self-esteem, womens social relations -- G.P. Lenzi -- |t The lace fabric of Bahia clothing: From artisanal to industrial -- A. Okasaki -- |t Fashion design and craftwork: Subjectivation policies in the contemporary scenario -- A.R.V. Peroba and C. Mesquita -- |t Chinese fashion, occidental fashion: A semiotic translation -- Y. Pan -- |t The fashion design as a contribution to the preservation of Nazar culture and costumes: 7 project -- S. Moreira, M. Pereira, A. Cruchinho, J.M. Lucas and R. Miguel -- |t DIY and the slow fashion movement: Sew for yourself -- L. Barrocas, G. Bezerra and M.A.V. Rocha -- |t Modes and Fashions of the colonial man from Minas Gerais: The indumentary of the defendants of the inconfidence of Minas Gerais -- A.F.B. Santos and A.P.X. Vilela -- |t The aesthetics in fashion design and cultural studies -- T. Lobo -- |t The physiological aspects of senescence: Comfort and relationship with the clothing -- M.D. Almeida, A.C. Broega and M. Moura -- |t Fashion design through sustainability and material culture: An exploratory and experimental study -- R. Norogrando -- |t Castelo Branco embroidery applied to clothing. |
| 505 | 0 | 0 | |t A. Cruchinho, A.S. Marcelo, P. Peres and A. Moura -- |t Female jeans: The aesthetic of Brazilian popular fashion -- I. Braga, M.J. Abreu and M.M. Oliveira -- |t The liberation of women in the 19th and early 20th centuries as seen through costume -- L. Luceo -- |t The Minho traditional costume as cultural heritage in fashion design -- S. Castro, J. Cunha and C. Morais -- |t The casualisation and homogeneity of contemporary fashion -- F. Spry -- |t -- |t Product design -- |t Practices of design: Understanding processes -- A. Rabdan -- |t Contemporary textile products. Knitting as a fertile design ground for experimentation with 3D technologies -- G.M. Conti -- |t Clothing as an architectural project -- B. Alcoceba -- |t Marking embroidery in colors: The creative fashion process in AMAC, in So Joo dos Patos MA -- M.S. Lima, R.G. Noronha and L.R. da Silva -- |t Miramar embroiderers, design and territory -- F.P. Vallejos -- |t Strategic approach to implement sustainability in the joineries of the city of Uberlndia, Brazil -- F. Moreira da Silva and J. Cardoso Braga -- |t A proposed procedure to develop clothing for pregnant women -- D.A.N. Mentone, R.H. Osava, S.H.A. Gomes, R.A. Sanches and A.Y.S. Duarte -- |t Functional fashion focused on the needs of people with disabilities -- L.N. Souza, S.H.A. Gomes, C.R.G. Vicentini, R.A. Sanches and A.Y.S. Duarte -- |t Designing for emotions: Evaluation of the drooler, a toy for preschoolers -- B. Providncia, R. Brando and P.B. Albuquerque -- |t Creativity and industrial fashion designreviews, analyses and connexions -- J.A.B. Barata, R. Miguel and S. Azevedo -- |t Procedures and guidelines for the instruction and execution of pattern making: An analysis -- P.A.A. Spaine, D.M. Brito, L.M. Pereira, N. Pinheiro and R.R. Andrade -- |t Anthropometry and clothing for overweight and obese children: A literature review -- R. Campos and M.A. Carvalho -- |t The materialization of fashion products: An experience of the textile behavior -- P.M. Souza, M.M. Otani, P.P. Silva and I.C. Italiano -- |t Design and redesign -- G. Montagna and M.J. Delgado -- |t -- |t Marketing and consumption -- |t Psychographic segmentation of female fashion consumers in Portugal -- B. Moreira and A. Azevedo -- |t Taxhion. Model taxonomy clothing and accessories e-commerce -- B. Alcoceba, M. Garca-Ergn, R. Garca, D. de las Heras and M. Adsuara -- |t Cultural values of minimalist fashion -- A.P. de Miranda, I. Domingues and N. Souza -- |t Emerging platforms for fashion design entrepreneurs: An assessment -- C.E. Fernandes, L. Ribeiro, M.S. Silva, M. Pereira and M.J. Madeira -- |t The use of online advertisement as a TXM branding methodologys tool: FARMs case study -- L.W. Ribeiro and L.S. Gomez -- |t The influence of social network sites on digital branding -- M. Barreto and L. Ribeiro -- |t -- |t Teaching and education -- |t Teaching design in real contexts to preserve local identity and memory -- A.H. Grcio and C. Rijo -- |t Immersive business simulation in footwear design education: A bridge for reality -- A.M. Terroso, A. Moreno, N. Amorim, H. Palmares and J. Sampaio -- |t Bounding fields of knowledge: Co-designing regional pottery of the Cvado sub-region as a strategic potential of museological differentiation and product development -- J. Sampaio, A. Baganha, F. Gomes and A.M. Terroso -- |t A case study of didactic laboratory approach in fashion design education -- X. Lin and A. DellAcqua -- |t Feminine magazines and the development of the female labor force in Valparaiso: Analysis of the graphic system of the Rosita magazine (19471972) as a didactic strategy for the informal learning of sewing -- F. Gonzalez, U. Bravo and C. Ruiz -- |t B a B of sewing: Our online friend -- L.C. de M. Tavares and J.P.C. de Brito -- |t Professional education and the formation of garments factory in Brazil -- V. Feldman and M.S.B. de Held -- |t Complex geometry and patterns: Colonizing the surrounding space through the costume -- M.J. Climent Mondjar, M.P. Moreno Moreno and A. Cano Redondo. |
| 505 | 0 | 0 | |t Project thinking in fashion design: Strategies for facilitating cognitive and metacognitive processes -- M.C.F. Sanches and M.A.R. Silva -- |t Pattern making books: An analysis of documentary research -- P.A.A. Spaine, D.M. Brito, L.M. Pereira, N. Pinheiro and R.R. Andrade -- |t Interdisciplinarity: Creation of looks and techniques used by UFPE CAA students -- A. Camargo and R. Alves -- |t Active applied methodologies on fashion design teaching: Possibilities and challenges -- L.E.F.S. Rebello, G.D. Marques and M. Mansur -- |t -- |t Sustainability in fashion and design -- |t Fashion that cares for the future -- E. Araujo, I. Castro, I. Pinto and I. Araujo -- |t Design, tradition and culturepast and future united to develop depressed regions -- I. Oliveira and M.G. Guedes -- |t Circular economy: An approach for the fashion industry -- E. Pinheiro, S.M.B.D. Barcelos and A.C. de Francisco -- |t Reversal logistics: Case study in the franchises O Boticrio in the city of Itabuna-BA -- E.N. Velanes -- |t Sustainable fashion. Strategies for sustainability and new forms of value creation in fashion and textile -- M.A. Sbordone, L. Di Lucchio and R.A. Sanches -- |t Generation Ys sustainability attitude-behaviour gap -- J.P. Bernardes, F. Ferreira, A.D. Marques and M. Nogueira -- |t Collaborative economy: Case study of new business models -- S.R. Fernandes, J.M. Lucas, M.J. Madeira, A.I.C. Barreiros and I.D. Honrio -- |t Imbrications and distances between the creative economy and the sustainability of small fashion brands -- U.S.T. Barbosa, H.A. Dieb, G.M.J. Sales, L.U. Dantas and A.N. Targino -- |t New sustainable fashion business models: the coworking case study -- L.F. Barcellos and A.C. Broega -- |t Sustainability: The reconfiguration of fashion, the textile industry and the role of the designer in a new social scenario -- M. de L. Iracet -- |t Tucum fiber: Reflections about Amazonian biodiversity, traditional knowledge and sustainable fashion -- L. Pennas and J. Baruque-Ramos -- |t Silk: Protocols for the verification of socioeconomic impacts in the production of cocoons -- S.M.B.D. Barcelos, M.G. Guedes, E. Pinheiro and A.C. de Francisco -- |t A perspective towards a circular fashion design system -- B. Melo and A.C. Broega -- |t Fashion and sustainabilitys valences: Exposing gaps -- R. Puppim, C. Jordo, L.M. Arruda, D.P. Beduschi and A.C. Broega -- |t Design and social innovation: Methodological principles for community qualification -- J. Oenning, J.B. Garcia Jr. and J. Cunha. |
| 520 | 3 | |a The collaboration between the Textile Department of the University of Minho and the Brazilian Association of Studies and Research (ABEPEM) has led to an international platform for the exchange of research in the field of Fashion and Design: CIMODE. This platform is designed as a biennial congress that takes place in different European and Latin American countries with the co-organization of another university in each location.The current edition was jointly organized by the University of Minho and the Centro Superior de Diseño de Moda (CSDMM) - Universidad Politécnica de Madrid.CIMODE's mission is to explore fashion and design from a social, cultural, psychological and communication perspective, and to bring together different approaches and perceptions of practice, education and the culture of design and fashion. Through an interdisciplinary dialogue and intercultural perspective, CIMODE wants to generate and present new scenarios about the present and future of fashion and design. 'DISEÑO AL REVÉS' ('BACKWARD DESIGN') was the central theme of the 4th CIMODE (Madrid, Spain, 21-23 May 2018), which produced a highly topical and relevant number of academic publications presented in this book. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed October 02, 2018) | |
| 650 | 0 | |a Fashion design |v Congresses. | |
| 650 | 0 | |a Fashion |v Congresses. | |
| 650 | 7 | |a Fashion. |2 fast |0 (OCoLC)fst00921600. | |
| 650 | 7 | |a Fashion design. |2 fast |0 (OCoLC)fst01200123. | |
| 655 | 7 | |a Conference papers and proceedings. |2 fast |0 (OCoLC)fst01423772. | |
| 700 | 1 | |a Broega, Ana Cristina, |e editor. | |
| 700 | 1 | |a Cunha, Joana, |e editor. | |
| 700 | 1 | |a Carvalho, Helder, |e editor. | |
| 700 | 1 | |a Blanco Lage, Manuel, |e editor. |0 http://id.loc.gov/authorities/names/no2013140626 |1 http://isni.org/isni/0000000060487069. | |
| 700 | 1 | |a García-Badell, Guillermo, |e editor. | |
| 700 | 1 | |a Gómez-Chacón, Diana Lucía, |e editor. |0 http://id.loc.gov/authorities/names/no2017096823 |1 http://isni.org/isni/0000000498420264. | |
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